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A story made all the more shocking because it’s true. In 1880, an organized mob of the Donnellys’ enemies murder four family members and burn their house to the ground. Another sibling is shot to death in a house a short distance away. William Donnelly and a teenage boy are the only witnesses to the murders. The surviving family members seek justice through the local courts but quickly learn that their enemies control the jury and the press. Two sensational trials follow that make national and international headlines as the Donnellys continue to pursue justice for their murdered parents, siblings and cousin. Behind the scenes, political factors are at play, as Oliver Mowat, the Premier/Attorney General of the province of Ontario, fearing the backlash a conviction would render, gradually withdraws support from the prosecution of the killers. After the trials, the Donnelly’s enemies continue their crusade against the family, paying off potential witnesses to the murders and fabricating one last set of charges that they hope will put the remaining Donnellys away forever.
This book provides aspiring screenwriters with a practical and informed way to learn how to think and write like a “creative”. It stands apart from, yet complements, other screenwriting “how to” books by connecting the transdisciplinary academic fields of screenwriting, film studies and cognitive psychology and neuroscience. Using a stepped approach, it shows the writer how to understand that how we think, shapes what we write, so that we may write better.
Reprint of the original, first published in 1883.
The only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book! The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiding the student through carefully focused writing exercises of increasing length and complexity. Eight award-winning student scree...
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Directing: Film Techniques and Aesthetics is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and ac...