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The New Monthly Magazine
  • Language: en
  • Pages: 512

The New Monthly Magazine

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

The New Monthly Magazine and Universal Register
  • Language: en
  • Pages: 516

The New Monthly Magazine and Universal Register

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

Popular Culture
  • Language: en
  • Pages: 400

Popular Culture

None

Poesia come pittura
  • Language: it
  • Pages: 284

Poesia come pittura

None

The New Monthly Magazine and Humorist
  • Language: en
  • Pages: 526

The New Monthly Magazine and Humorist

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

New Monthly Magazine, and Universal Register
  • Language: en
  • Pages: 520

New Monthly Magazine, and Universal Register

  • Type: Book
  • -
  • Published: 1861
  • -
  • Publisher: Unknown

None

Crime, Disorder, and the Risorgimento
  • Language: en
  • Pages: 320

Crime, Disorder, and the Risorgimento

This 1994 book is a close examination of the papal police in the city and province of Bologna before Italian unification.

God's Bankers
  • Language: en
  • Pages: 752

God's Bankers

Revealing a history of mysterious deaths, shady characters, and moral and political tensions, exposes the inner workings of the Catholic Church to trace how the Vatican evolved from an institution of faith into an extremely wealthy corporate power. --Publisher's description.

International Futurism in Arts and Literature
  • Language: en
  • Pages: 660

International Futurism in Arts and Literature

This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.

Shakespeare's Spiral
  • Language: en
  • Pages: 279

Shakespeare's Spiral

Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on th...