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Cartography and Art
  • Language: en
  • Pages: 392

Cartography and Art

This book is the fruition of work from contributors to the Art and Cartography: Cartography and Art symposium held in Vienna in February 2008. This meeting brought together cartographers who were interested in the design and aesthetics elements of cartography and artists who use maps as the basis for their art or who incorporate place and space in their expressions. The outcome of bringing together these like minds culminated in a wonderful event, spanning three evenings and two days in the Austrian capital. Papers, exhi- tions and installations provided a forum for appreciating the endeavors of artists and cartographers and their representations of geography. As well as indulging in an expa...

Map As Art, The: Contemporary Artists Explore Cartography
  • Language: en
  • Pages: 264

Map As Art, The: Contemporary Artists Explore Cartography

  • Categories: Art

This work is filled with 350 works by well-known artists such as Joyce Kozloff, Ed Ruscha, Julian Schnabel, and Olafer Eliasson. All are wayfinders, charting the highways and byways of the spirit and the topography of the soul.

Art and Cartography
  • Language: en
  • Pages: 318

Art and Cartography

  • Categories: Art

The contributors—Svetlana Alpers, Samuel Y. Edgerton, Jr., Ulla Ehrensvard, Juergen Schulz, James A. Welu, and David Woodward—examine the historical links between art and cartography from varied perspectives.

The Art of Map Illustration
  • Language: en
  • Pages: 147

The Art of Map Illustration

The Art of MapIllustration combines practical instruction with inspirational art and photographs to both enliven and educate aspiring map artists.

Critical Cartography of Art and Visuality in the Global Age
  • Language: en
  • Pages: 375

Critical Cartography of Art and Visuality in the Global Age

  • Categories: Art

Critical Cartography of Art and Visuality in the Global Age poses fundamental questions and pinpoints topical discussions central to the field of contemporary art studies in the global age. Resulting from a series of conversations that took place at the international conference ""Critical Cartography of Art and Visuality in the Global Age"" (Barcelona 2013), the volume brings together current debates in cultural and identity-based art histories as a means of expanding the territory of contempor...

You Are Here
  • Language: en
  • Pages: 218

You Are Here

Mapmaking fulfills one of our most ancient and deepseated desires: understanding the world around us and our place in it. But maps need not just show continents and oceans: there are maps to heaven and hell; to happiness and despair; maps of moods, matrimony, and mythological places. There are maps to popular culture, from Gulliver's Island to Gilligan's Island. There are speculative maps of the world before it was known, and maps to secret places known only to the mapmaker. Artists' maps show another kind of uncharted realm: the imagination. What all these maps have in common is their creators' willingness to venture beyond the boundaries of geography or convention. You Are Here is a wide-r...

Map Art Lab
  • Language: en
  • Pages: 147

Map Art Lab

  • Categories: Art
  • Type: Book
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  • Published: 2014-05
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  • Publisher: Unknown

DIVA refreshing source of ideas to help you explore all aspects of maps, this book encourages you to travel through the exciting world of cartography. It features 52 fun and creative map-related activities set into weekly artistic exercises./div

Mapping Paradigms in Modern and Contemporary Art
  • Language: en
  • Pages: 216

Mapping Paradigms in Modern and Contemporary Art

  • Categories: Art
  • Type: Book
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  • Published: 2021-07-29
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  • Publisher: Routledge

Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

Walking and Mapping
  • Language: en
  • Pages: 349

Walking and Mapping

  • Categories: Art
  • Type: Book
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  • Published: 2016-02-12
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  • Publisher: MIT Press

An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS. From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.

Cartographic Abstraction in Contemporary Art
  • Language: en
  • Pages: 301

Cartographic Abstraction in Contemporary Art

  • Categories: Art
  • Type: Book
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  • Published: 2017-11-27
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  • Publisher: Routledge

In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.