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This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
Travelling Chronicles presents fourteen episodes in the history of news, written by some of the leading scholars in the rapidly developing fields of news and newspaper studies. Ranging across eastern and western Europe and beyond, the chapters look back to the early modern period and into the eighteenth century to consider how the news of the past was gathered and spread, how news outlets gained respect and influence, how news functioned as a business, and also how the historiography of news can be conducted with the resources available to scholars today. Travelling Chronicles offers a timely analysis of early news, at a moment when historical newspaper archives are being widely digitalised and as the truth value of news in our own time undergoes intense scrutiny.
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Nefertiti’s Sun Temple publishes stone relief fragments excavated from the site of Kom el-Nana at Tell el-Amarna, Egypt, dating to approximately 1350 BCE. This is the first time relief fragments can be associated with a specific wall from a specific temple at Tell el-Amarna. Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti’s ‘Sunshade of Re’ temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten’s religious movement dedicated to the sun god Aten.
Between the sixteenth and nineteenth centuries, competing European empires, notably Spain, Portugal, Great Britain, the Netherlands, Germany, France, Belgium, and others vied for commercial and political control of transoceanic networks, particularly the transpacific routes between Asia and the Americas. The essays in Transpacific Engagements: Trade, Translation, and Visual Culture of Entangled Empires (1565–1898) address the resulting cultural and artistic exchanges with an emphasis on both the Spanish and American enterprises in the Asia-Pacific region. The essays are grouped into three parts entitled “Entangled Empires,” “Empires and Translations,” and “Empires and Trade.” A...
Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée st...
This volume is a study of the interdisciplinary nature of prison escape tales and their impact on European cultural identity in the eighteenth century. Prison escape narratives are reflections of the tension between the individual’s potential happiness via freedom and the confines of the social order. Contemporary readers identified with the prisoner, who, like them suffered the injustices of an absolutist regime. The state imprisons such renegades not just out of a desire to protect the public but more importantly to protect the state itself. Hence, prison escape tales can be linked with a revolutionary tendency: when free, such former detainees equipped with a pen openly and justly challenge the status quo, hoping to inspire their readers to do the same. Escape tales have had a considerable impact on cultural identity, because they embody the interdependent relationship between literature and myth on the one hand and literature and history on the other.
Drawn from work created for books, comics, magazines, art galleries, advertisements, and the portfolios of some of the finest contemporary artists in the field, Spectrum 9 has a wider reach than any previous volume, with work from the U.S., Germany, England, the Netherlands, Spain, Japan, Canada, and France. Divided into seven categories, including one devoted to comics, the book includes James Gurney (Dinotopia), Brom (designer of the films Sleepy Hollow and Scooby-Doo), Michael Whelan (ten-time Hugo Award winner), Leo and Diane Dillon (Caldecott and Coretta Scott King Award recipients), and many more. Contact information for each artist is provided in a handy index, and the editors' lengthy illustrated "Year in Review" preface puts the entire field in focus. 300 full-color images are featured. "A feast for the eyes and the imagination." -- New Times
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This study suggests the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style and a new iconographic symbol, the pharaoh sought to elevate his status above that of the members of his powerful court.