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Criticism, Art and Theory in 1970s Britain
A critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history. JJ Charlesworth explores how art critics and the art press attempted to negotiate new developments in art, faced with the challenges of conceptualism, alternative media, new social movements and radical innovations in philosophy and theory. This is the first comprehensive study of the art press and art criticism in Britain during this pivotal period, seen through the lens of its art press, charting the arguments and ideas that would come to shape contemporary art as we know it today. This book will be of interest to scholars working in art history, British cultural history and history of journalism.
Thinking about Art
Collected talks, lectures, and conversations spanning 1975-1995.
Women and Ceramics
This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.
The Impossible Project
This is the first book on the young, upcoming British artist David Cotterrell. Cotterrell plays with the tradition of eccentric inventions, incorporating customised technology in humorous and political site specific works. Since the mid 90s Cotterrell has exhibited internationally both in and outside conventional gallery spaces, invading the public arena in unexpected ways, as with his man-made geyser, which spurts water high into the air from the middle of a suburban park every day at an allocated time. Cotterrell was selected for the Becks Futures Awards at the ICA, London, 2002 and is working on a number of public commissions in the UK and internationally. The Impossible Project includes texts by writer and curator Caryn Faure Walker as well as responses to Cotterrell's work from the fields of science, technology, history and politics. 80 colour & b/w illustrations
Portfolio
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Garth Evans Sculpture
Garth Evans is a sculptor as capable of evoking intimacy and simplicity as he is of dealing with the monumental and the timeless. This complete survey of his unique career is long overdue, and reveals a wealth of innovative and powerful work, much of it previously unseen in print. As narratives of British sculpture are reconsidered, Evans is emerging as one of the most creative and influential artists to bridge the generation of Antony Caro and Philip King with that of Tony Cragg, Richard Deacon, Antony Gormley, Alison Wilding and Bill Woodrow. This investigation into Evans's hugely varied, visually eventful and challenging practice explores connections across geographies and timeframes as w...
Studio International
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Shifting Horizons
Throughout the history of photography the genre of landscape has been dominated by male perspectives. In this work, ten women photographers interpret the notion of landscape from a variety of perspectives.
Talk Art The Interviews
'Insights from the zeitgeist are preserved with conviction and clarity, offering an inclusive way to access contemporary art in all its forms. If Talk Art is the fun podcast, then this book is the educational supplement to be prescribed alongside it.' - Aesthetica 'Where the collection really takes off is the interviews with younger artists, which are sensitive, unpatronising, genuinely questioning and fundamentally challenging....Indeed, this collection's strength ultimately lies in the fact that it reveals nothing more than a battlefield in its quest to establish what contemporary art is all about.' - ArtReview The authors of Talk Art: Everything you wanted to know about contemporary art b...
Conceptual Art
What is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. As the variety of illustrations in this book shows, it can take many forms: photographs, videos, posters, billboards, charts, plans and, especially, language itself. Tony Godfrey has written a clear, lively and informative account of this fascinating phenomenon. He traces the origins of Conceptual art to Marcel Duchamp and the anti-art gestures of Dada, and then establishes links to those artists who emerged in the 1960s and early 1970s, whose work forms the heart of this study: Joseph Kosuth, Lawrence Weiner, Victor Burgin, Marcel Broodthaers and many others.
