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The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.
This monograph provides an innovative analysis of a unique period for social and public health policy in Portuguese history. With a firm basis in archival research, the book examines a lesser-known facet of one of the most fascinating and controversial figures in the late Ancien Regime in Portugal: Diogo Inácio de Pina Manique, the Intendant-General of Police from 1780 to 1805. By combining the resources of the Intendancy with those of the Casa Pia, an institution for welfare provision and social control that he set up just a month after being appointed, Pina Manique attempted to introduce a variety of projects designed to create a prosperous, healthy, well-educated, informed, clean and hard-working country less inclined to vice and immorality, in which the people would be obedient and the upper classes more magnanimous. One of his greatest achievements was perhaps to understand the link between ill health and poverty and therefore to regard public health as a key area of governance.
This book provides a comprehensive analysis of the evolution of Brazilian economic thought ranging from colonial times through to the early 21st century. It explores the production of ideas on the Brazilian economy through various forms of publication and contemporary thoughts on economic contexts and development policies, all closely reflecting the evolution of economic history. After an editorial introduction, it opens with a discussion of the issue of the historical limits to and circumstances of the production of pure economic theory by Brazilian economists. The proceeding chapters follow the classical periodization of Brazilian economic history, starting with the colonial economy (up un...
Casa vacía ~ Empty House is an anthology of poetry and short fiction authored by four students of the MFA Program in Spanish Creative Writing at the University of Iowa. The authors are Christian de León, Juan Díaz Ortiz, Leticia Fernández-Fontecha, and Yamila Transtenvot. Casa vacía ~ Empty House is more than an anthology - it is also a bilingual, Spanish to English literary translation, with translations done by Kathleen Archer, Juan Díaz Ortiz, Mallory Truckenmiller Saylor, and Paul E. Davies. Written and translated during the Covid-19 pandemic, the collaboration inherent in producing these literary works affirms the authors' and translators' determination to confront a prevailing sense of global anxiety and estrangement. The works presented in this volume were created at the intense intersection of two creative forces: the heterogeneous, marginocentric culture of Iowa City (the home of the MFA Program), and the unique and life-engendering worlds of each author and translator. The book is a window into the most contemporary poetry and prose being written in a range of Spanish-speaking cultures.
This is a cutting-edge collection of original essays on the connections and structures that made the Atlantic world a coherent regional entity.
This book investigates the diverse ways in which the Portuguese language expanded in Brazil, despite the multilingual landscape that predominated before and after the arrival of the Europeans and the African diaspora. Challenging the assumption that the prevalence of Portuguese was a natural consequence and foregone conclusion of colonisation, the book argues that the language’s expansion was as much a result of state intervention as of individual agency. The growth of the Portuguese language was a tumultuous process that mirrored the power relations and conflicts between Amerindian, European, African, and mestizo actors who shaped, standardised, and promoted the language within and beyond...
Explores debates over Peru's modernisation and cultural identity in post-1940 literature, exploring how writers and others confronted challenges of language, style, and narrative form in their attempt to write across their nation's cultural divisions. This book examines the relationship between Peru's white elite and its indigenous majority.
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In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between 1966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutiérrez, Alfredo Bryce Echenique, Carmen Ollé, Pilar Dughi, and Mario Bellatin...
"La autora emprende un viaje al interior en un juego narrativo lleno de sorpresas. En él se mezclan literatura y vida en un cóctel afrodisíaco de biografías ajenas y autobiografía novelada"--Forro.