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A Diasporan Mormon's Life
Offering a glimpse into the lives of upwardly mobile Mormon professionals, this series of personal essays by author Dr. Robert S. Jordan describes his odyssey as a third-generation Mormon of polygamous descent whose family ascended from rural pioneer poverty to upper middle-class social and economic success. A Diasporan Mormons Life chronicles the life of Jordan, a child of the Mormon Diasporans who left the social and cultural isolation of Utah for a more secular, modern America. This memoir describes his struggle to find his personal identity from the tensions created between his religious heritage and his secular upbringing. Jordans life is remarkably varied. He studied at East Coast and ...
The Bennetts
The Bennetts: An Acting Family is a chronicle of one of the royal families of stage and screen. The saga begins with Richard Bennett, a small-town Indiana roughneck who grew up to be one of the bright lights of the New York stage during the early twentieth century. In time, however, Richard's fame was eclipsed by that of his daughters, Constance and Joan, who went to Hollywood in the 1920s and found major success there. Constance became the highest-paid actress of the early 1930s, earning as much as $30,000 a week in melodramas. Later she reinvented herself as a comedienne in the classic comedy Topper, with Cary Grant.. After a slow start as a blonde ingenue, Joan dyed her hair black and bec...
Screenwriters
Screen-writing is a unique literary form. Screenplays are like musical scores, in that they are intended to be interpreted on the basis of other artists performances rather than serving as finished products for the enjoyment of their readers. They are written using technical jargon and tight, spare prose to describe set directions. Unlike a novella, a script focuses on describing the literal, visual aspects of the story rather than on its characters internal thoughts. In screen-writing, the aim is to evoke those thoughts and emotions through subtext, action, and symbolism. Prominent Hollywood script doctors include Steve Zaillian, William Goldman, Robert Towne, Mort Nathan, Quentin Tarantino...
Bulletin
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Radial Flow Turbocompressors
An introduction to the theory and engineering practice that underpins the component design and analysis of radial flow turbocompressors. Drawing upon an extensive theoretical background and years of practical experience, the authors provide descriptions of applications, concepts, component design, analysis tools, performance maps, flow stability, and structural integrity, with illustrative examples. Features wide coverage of all types of radial compressor over many applications unified by the consistent use of dimensional analysis. Discusses the methods needed to analyse the performance, flow, and mechanical integrity that underpin the design of efficient centrifugal compressors with good flow range and stability. Includes explanation of the design of all radial compressor components, including inlet guide vanes, impellers, diffusers, volutes, return channels, de-swirl vanes and side-streams. Suitable as a reference for advanced students of turbomachinery, and a perfect tool for practising mechanical and aerospace engineers already within the field and those just entering it.
Framework
The third eidtion of this history of the art and craft of screenwriting from the silents to the present provides information and stories about those who write and have written for film. Includes anecdotal insights into the working lives of directors, producers, and stars, as well as how American movies get made.
Information Circular
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Season of the Gods
A woman in wartime Hollywood and her dream of the perfect motion picture. Renie Lee has climbed the ladder in a man's world to be head of the Story Department at Warner Bros. Studios. Renie is an idealist who believes that "the perfect film" can be created. When she pulls an unproduced stage play set in Morocco out of the slush pile, she has a feeling this one is special, maybe not perfect but special enough to secure her place as an equal to the studio's most powerful men. No one agrees with her until two brash young studio writers, Julius and Philip Epstein, decide to back Renie's gamble and bring the Morocco story to the screen. Their screenplay's name: Casablanca. Renie uses her charms o...
Backstory
Interviews with screenwriters
Iver and Ellsworth
*Audio Enhanced Read-Along EbookFrom a factory rooftop, Iver and his good friend Ellsworth (a rooftop bear) are content to watch the busy world below. “ Everyone' s going somewhere,” Iver says. “ We can see the whole world from up here. That' s enough somewhere for me.” But after Iver retires, the friends must venture out in search of a new somewhere. Of course, the very best views are those you share with an old pal.
