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Innehåller 14 stycken essäer på engelska om folkmusik spelad på fiol och dans utifrån olika perspektiv bla genus, diaspora och relationen mellan musik och dans.
Welsh traditional music has, until now, been the 'Cinderella' of world music studies. Over the years, few English-language writers have paid it any attention, largely because the majority of the songs of Wales are in the Welsh language. Now, at last, that gap has been filled by an American. Phyllis Kinney's book, Welsh Traditional Music, will both delight and inform anyone with an interest in the subject, be they a general reader, an academic, or a performer. It covers the traditional music of Wales from its beginnings through to the present day and contains an extensive selection of more than 200 musical examples. The book not only includes musical analysis of many of the examples, but also...
From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.
Welsh Ballads of the French Revolution provides for the first time an edition, with parallel English translations, of Welsh-language ballads composed in reaction to the momentous events of the Revolution in France and the two decades of war which followed. Ballad writers were first spurred to respond in 1793, when the French monarchs were executed, France declared war upon Britain, and paranoia regarding the possible threat of internal revolt in Britain reached a crisis point. As the decade proceeded, ballads were sung in thanks for the victory of British forces and local people against an invasion of Pembrokeshire by French troops, and in reaction to key naval battles and to the extensive m...
Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.
Who was Saint Valentine, the saint who gave his name to the festival of lovers in Wales? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid-February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for a celebration of the feast day – far from resembling anything else on offer in any other part of Britain, these Welsh songs are lyrical, expressive, and often in cynghanedd (the concept of sound-arrangement within a line). This volume analyses the first extant Welsh Sai...
"Hope and Heartbreak looks in an entirely new way at the social history of Wales between the years 1776 and 1871. This innovative book challenges a large number of generally held views about Wales, and tries to offer an alternative history of the country's idiosyncrasies and contradictions. To do this a wide range of evidence is considered to present the ambitions and anxieties which drove and destroyed Welsh people." "Russell Davies's study ranges far and wide, from landlords to peasants, rich and poor, in the north and the south. Diet and housing, disease and death, rural festivals, prisons and mental hospitals, work and worries, fear and anger, love and lust, wizards and wonders, bastards...
Did you know? Richard Burton claimed that he would rather have played rugby for Wales at Cardiff Arms Park than Hamlet at the Old Vic. Local rivalries between choirs in the 'land of song' used to be so fierce that fights would break out following singing competitions. Roald Dahl was an RAF fighter pilot during the Second World War, and a near-death crash landing inspired his first published work. The Little Book of Welsh Culture is a fast-paced, fact-filled journey through the cultural heritage of Wales, crammed full of myths, traditions and personalities. Experience the country's immense artistic legacy as never before, from the medieval legends surrounding King Arthur and The Mabinogion to its modern-day transformation into a thriving filming location for big-screen blockbusters. Discover the truth behind the ancient druidic rituals of the National Eisteddfod, separate the facts from the fiction that surround Dylan Thomas' infamous lifestyle, and learn how Wales successfully regenerated the Doctor Who franchise – and unearth some fascinating secrets and hidden gems along the way.
An industrious academic and charmingly eccentric Romantic poet and forger, Iolo Morganwg (1747-1846) left behind a floor-to-ceiling stack of unpublished manuscripts in his small Welsh cottage. A Rattleskull Genius, based on that trove of unpublished material now held at the National Library of Wales, provides both a celebration and a critical reassessment of the author and his contributions to Welsh cultural tradition.
This collection of essays and poems in the area of Welsh music studies is an affectionate tribute to two great 'bearers of the song', Meredydd Evans and Phyllis Kinney. The volume has been assembled by their friends and colleagues as a celebration of their contribution to the culture, music and language of Wales over the last 50 years.