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Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.
Discover fashion that dared to be different, risked reputations and put careers in jeopardy. This is what happens when people take tradition and rip it up. FashionQuake introduces 50 pivotal momentsthat shook the world and changed mainstream fashion forever, telling the fascinating stories behind each piece’s creation, reception, and legacy. From awe-inspiring couture to protest T-shirts, bumster trousers to safety-pin dresses, this book profiles the cutting-edge of fashion, featuring enigmatic designers, risqué campaigns, surreal haute couture, and radical clothing. By tracing the history of modern fashion via the pieces that steered away from the norm, Caroline Young tells us how we got to the here and now. This fascinating and deeply insightful book presents an alternative introduction to fashion focusing on 50 moments that consciously questioned boundaries, challenged the status quo, and made shockwaves we are still feeling today. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available are ArtQuake, FilmQuake, and MusicQuake.
Attitudes to fashion have changed radically in the twenty-first century. Dress is increasingly approached as a means of self-expression, rather than as a signifier of status or profession, and designers are increasingly treated as 'artists', as fashion moves towards art and enters the gallery, museum, and retail space. This book is the first to fully explore the causes and implications of this shift, examining the impact of technological innovation, globalization, and the growth of the internet. The End of Fashion focuses on the ways in which our understanding of fashion and the fashion system have transformed as mass mediation and digitization continue to broaden the way that contemporary f...
The Women of Woodcock is the companion photo book to the just released award-nominated film Phantom Thread, from the auteur director Paul Thomas Anderson...the film portrays an uncompromising fashion couturier in 1950s London -- and the women that surrounded him: clients that included royalty, society debutantes, and heiresses, as well as his sister who runs the fashions house, the seamstresses, and his mistresses... the English photographer Laura Hynd documented the fictional House of Woodcock...Through her camera, all the women in the (fictional) House of Woodcock, from royalty to atelier staff, are celebrated equally -- a deliberate concept supported and highlighted by the inclusion of handful carefully selected frames from the movie.
Shortlisted for the Association of Dress Historians Book of the Year Award, 2024 In the first book to examine the role played by textile manufacturing in the development of fashion in Italy, A New History of 'Made in Italy' investigates Italy's transition from a country of dressmakers, tailors and small-scale couturiers in the early post-Second World War period to a major producer of ready-to-wear fashion in the 1980s. It takes the reader from Italy's first internationally attended fashion show in 1951 to Time magazine's Giorgio Armani April 1982 cover story, which signalled the fashion designer's international arrival, and Milan's presence as the capital of ready-to-wear. Chapters focus for...
Das selbstgewählte, ja lustvolle Leid ist im 21. Jahrhundert mehr denn je verbreitet und in seiner sublimierten Form integraler Bestandteil der modernen, auf Selbstoptimierung trainierten Gesellschaft. Ihren Ursprung finden diese Leidenspraktiken in den psychoanalytischen Theorien zum Masochismus. In diesen entstehen zum einen die ethischen Voraussetzungen, die das selbstgewählte Leid für das Bürgertum legitimieren sollen. Zum anderen entstehen aber auch Bilder, Szenen und Narrative, die das selbstgewählte Leid zum Gegenstand ästhetischer Vermittlung erklären und in denen es bis heute Karriere macht. Denn die sexuellen Dimensionen dieses Leides sind lediglich ein untergeordneter, ja im Grunde genommen der unwichtigste Aspekt in einem komplexen sowohl ethisch begründeten als auch ästhetisch angelegten Arrangement von lang eingeübten Praktiken, die von den Texten dieses Heftes beleuchtet werden.
Fashion in the Edwardian period underwent some quite revolutionary changes. The delicately coloured, flower-and-lace-trimmed trailing gowns and elaborate hairstyles worn by tightly corseted fashionable ladies in the early years of Edward VII's reign would transform into the boldly coloured, dramatically stylized Eastern-inspired kimono wraps, slender hobble skirts, ankle-skimming tunic dresses and turbans of 1914 on the eve of the First World War. This book presents the story of women's and men's dress through this exciting period, and is a fascinating addition to the bestselling Shire fashion list that already includes Fashion in the Time of Jane Austen and Fashion in the Time of the Great Gatsby.
This deeply moving story explores the attractions—and the tensions—that defined the most extraordinary royal marriage of the past seventy-five years. She was peaches-and-cream innocence; he was a handsome war hero. Both had royal blood coursing through their veins. The marriage of Britain's Princess Elizabeth to Lieutenant Philip Mountbatten in November 1947 is remembered as the beginning of an extraordinary lifelong union, but their success was not guaranteed. Elizabeth and Philip: A Story of Young Love, Marriage, and Monarchy plunges the reader back into 1940s Britain, where a teenage princess fell in love with a foreign prince. There were fears of a flirtatious "Greek" fortune hunter ...
Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age. The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks ...
'I loved this book!' - Alison Weir '[A] lively, gossipy forage through royal wardrobes' - Daily Mail 'A sparkling history' - Dr Kate Strasdin Peek into the wardrobes of history's most fashionable royals Why did women wear such heavy and uncomfortable skirts in the Elizabethan era? What the hell happened to Charles II's pubic hair wig? How did Princess Diana's revenge dress become so iconic? Fashion for the royal family has long been one of their most powerful weapons. Every item of their clothing is imbued with meaning, history and majesty, telling a complex tale of the individuals who wore them and the houses they represented. From the draping of a fabric to the arrangements of jewels, the ...