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Three Dobbins Generations at Frontiers
James Dobbins'(b. 1740, Ireland) story begins in Augusta Co., Va. James and Elizabeth (Stephenson) Dobbins spent their formative years, were married, and began their family. Their sons, Robert Boyd and John, were b. 1783 &'85. The family migrated to Abbeville & Pendleton, SC. James & Elizabeth had seven children. Four daughters and their husbands were: Mary w/John H. Morris (emigrated to Franklin Co., TN), Elizabeth w/George H. Hillhouse (emig. to Giles Co. & Lawrence Co., TN), Sarah w/Hugh F. Callaham (emig. to St. Clair Co., Ala.), Jane w/George Liddell (emig. to Noxubee Co. & Winston Co., MS). Their last-born, James, Jr., b. 1790, died young at home. They & their spouses' families were Scotch-Irish settlers in backcountry of SC. Ten families representing two generations were pioneers and products of history, geography, and culture of frontiers in SC. Six children migrated west, north, & south to new frontiers. Grandchildren of James & Elizabeth became the third Dobbins generation at farther frontiers.
Indeterminacy
What happens to people, places and objects that do not fit the ordering regimes and progressive narratives of modernity? Conventional understandings imply that progress leaves such things behind, and excludes them as though they were valueless waste. This volume uses the concept of indeterminacy to explore how conditions of exclusion and abandonment may give rise to new values, as well as to states of despair and alienation. Drawing upon ethnographic research about a wide variety of contexts, the chapters here explore how indeterminacy is created and experienced in relationship to projects of classification and progress.
Personal States
The narratives and metaphors used in these constructions draw on resources close to hand such as the material organization of state factory compounds, state personnel encountered in the course of everyday life, and images of the family structure. By also exploring notions of state and personhood within the highest echelons of the administration itself, Alexander shows how ideas of 'the state' recede once one is actually 'within'. For officials the state becomes other institutions and Ministries with which they have little contact.
Painted Ladies
This text provides an exploration and reconsideration of Restoration portraiture, considering some of the most beautiful paintings of the period, portraits of women of prominence and influence within the court of Charles II, from royal brides and daughters to mistresses and actresses.
