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Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac and Henry James, as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
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An in-depth and nuanced look at the complex relationship between two dynamic fields of study. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses co...
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This publication outlines the exciting and often controversial development of Australia's public galleries and the changing conditions that have determined their exhibition program from the 1960's to the present. The extravagantly illustrated chapters are based on the extensive research of four authors associated with four universities from three states. Richly annotated with multiple appendices and a comphrehensive index of more than 1,500 entries, this publication is an incredible resource for Australian art history that concludes with an analysis of the value of exhibitions that enables visitors to see art with fresh eyes and see the world anew.
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This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Family tree -- Glossary of names -- Timeline -- Map -- A note on money -- Prologue -- Book one: The bastard son -- Book two: The obedient nephew -- Book three: The prince alone -- Afterword: Alessandro's ethnicity.
The life and times of Catherine de’ Medici—the most powerful woman in sixteenth-century Europe—as seen through her often controversial role in religion and the arts. During an age of heightened religious conflict, Catherine de' Medici lived her life at the center of sixteenth-century European and French politics. Daughter of Lorenzo II, the Medici ruler of Florence—and then wedded to a French prince by papal decree at the age of fourteen—Catherine first became queen consort of France and then mother to three French kings (Francis II, Charles IX, and Henry III) who reigned in an era of almost continuous civil and religious strife. A lavish promoter of the arts, Catherine patronized ...