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Mature sciences have been long been characterized in terms of the “successfulness”, “reliability” or “trustworthiness” of their theoretical, experimental or technical accomplishments. Today many philosophers of science talk of “robustness”, often without specifying in a precise way the meaning of this term. This lack of clarity is the cause of frequent misunderstandings, since all these notions, and that of robustness in particular, are connected to fundamental issues, which concern nothing less than the very nature of science and its specificity with respect to other human practices, the nature of rationality and of scientific progress; and science’s claim to be a truth-conducive activity. This book offers for the first time a comprehensive analysis of the problem of robustness, and in general, that of the reliability of science, based on several detailed case studies and on philosophical essays inspired by the so-called practical turn in philosophy of science.
This book is a comprehensive guide to facial plastic and reconstructive surgery for surgeons and trainees. Divided into five sections, the text begins with an overview of basic techniques, analgesia and conscious sedation, and legal and psychosocial issues. The next section covers rhinoplasty, both aesthetic and medical, and section three discusses various aesthetic facial surgery procedures including browplasty, liposuction and scar revision. The following section examines non-surgical procedures such as chemical peels, Botox and fillers, and the book concludes with a section on reconstructive surgery including Mohs surgery, local flaps and grafts, cleft lip and palate, and craniomaxillofac...
A path to Self This book is the synthesis of my work detailed in my previous books. My objective is to explain the elaboration of an unknown yet very promising accompaniment technique. I am talking about CPA, in English “Accompanied Inner Communication”. By accompanying the hand over a computer keyboard, expression emerges from a part of ourselves that we do not usually have access to. Thanks to this particular type of communication, the hand becomes the heart’s messenger. By accompanying the hand over a computer keyboard, the expression of a part of ourselves that we don’t usually have access to emerges. AIC is used with people who cannot speak as well as those who can. The vision o...
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
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This collection of critical essays celebrates the subversive and challenging creativity of the Dada movement, born in pacifist Zurich in 1916 in violent reaction to the First World War. It examines the collective and individual activities that took place under the name of Dada in Zurich, Cologne, Berlin, Paris, New York and Barcelona, and explores the various creative forms employed, including text, collage, photomontage, objects, dance, performance and film. The authors suggest new ways of understanding the work of the most famous Dadaists, while also casting light on the contribution of hitherto neglected figures. Far from attempting to reduce Dada to a homogeneous movement, or to define a unifying principle beneath and beyond the multiple directions taken by Dadaists, this collection aims to respect the diversity and heterogeneity of the movement's collective activities as well as the specificity of its individual actors.
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Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.