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Practicing New Historicism
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and anal...
Telling It Like It Wasn’t
Inventing counterfactual histories is a common pastime of modern day historians, both amateur and professional. We speculate about an America ruled by Jefferson Davis, a Europe that never threw off Hitler, or a second term for JFK. These narratives are often written off as politically inspired fantasy or as pop culture fodder, but in Telling It Like It Wasn’t, Catherine Gallagher takes the history of counterfactual history seriously, pinning it down as an object of dispassionate study. She doesn’t take a moral or normative stand on the practice, but focuses her attention on how it works and to what ends—a quest that takes readers on a fascinating tour of literary and historical critici...
The Making of the Modern Body
Scholars have only recently discovered that the human body itself has a history. Not only has it been perceived, interpreted, and represented differently in different epochs, but it has also been lived differently, brought into being within widely dissimilar material cultures, subjected to various technologies and means of control, and incorporated into different rhythms of production and consumption, pleasure and pain. The eight articles in this volume support, supplement, and explore the significance of these insights. They belong to a new historical endeavor that derives partly from the crossing of historical with anthropological investigations, partly from social historians' deepening interest in culture, partly from the thematization of the body in modern philosophy (especially phenomenology), and partly from the emphasis on gender, sexuality, and women's history that large numbers of feminist scholars have brought to all disciplines.
The Body Economic
The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put...
Nobody's Story
Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gall...
Rory Gallagher
Rory Gallagher is a hero and icon of rock music. He inspired guitar players from The Edge to Johnny Marr, Slash to Gary Moore, Johnny Fean to Philip Donnelly, Declan Sinnott to Brian May. He toured incessantly and sold over 30 million albums worldwide. Acknowledged as one of the world's leading guitarists, he collaborated with his boyhood hero Muddy Waters, and played with Jerry Lee Lewis, Albert King and Lonnie Donegan. In this compelling biography, contemporaries, fellow musicians, film maker Tony Palmer and Taste drummer John Wilson tell stories about Rory from his meteoric rise in the late 1960s with Taste to his remarkable solo career. This is a compelling testament to the musical life of a shy and retiring working-class hero, distinguished by his checked shirts and his astounding dexterity on acoustic and electric guitar – the guitarist and blues man who blazed a trail for others to follow.
The Rover
Behn (1640-89) was both successful and controversial in her own lifetime; her achievements are now recognized less equivocally and her plays, often revived, demonstrate wit, compassion and remarkable range. This volume collects her most important comedies with annotation and modernized spelling.
Time and the Literary
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Novel
The Novel: An Anthology of Criticism and Theory1900–2000 is a collection of the most influentialwritings on the theory of the novel from the twentiethcentury. Traces the rise of novel theory and the extension of itsinfluence into other disciplines, especially social, cultural andpolitical theory. Broad in scope, including sections on formalism; the ChicagoSchool; structuralism and narratology; deconstruction;psychoanalysis; Marxism; social discourse; gender;post-colonialism; and more. Includes whole essays or chapters wherever possible. Headnotes introduce and link each piece, enabling readers todraw connections between different schools of thought. Encourages students to approach theoretical texts withconfidence, applying the same skills they bring to literarytexts. Includes a volume introduction, a selected bibliography, anindex of topics and short author biographies to support study.
