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Globalization and Language in Contact
This book examines the impact of globalization on languages in contact, including the study of linkages between the global and local, and transnational and situated communication. It engages with social theory and social processes while grappling with questions of language analysis raised by globalized language contact. Drawing on case studies from North America, Europe and Africa, the volume makes three important contributions to contemporary sociolinguistics by: * arguing that concepts of scale and space are essential for understanding contemporary sociolinguistic phenomena * showing that the transnational flows and movements of peoples highlight the problem and work of identity in relation to both place and time * addressing methodological challenges raised by different approaches to the study of globalization and language contact. This cutting-edge monograph featuring research by renowned international contributors will be of interest to academics researching sociolinguistics, and language and globalization.
Voice Machines
"The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"--
Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians
Operating largely within the world of European-American classical music, this book discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Like everything else about old age, music-making is usually understood as a decline from a former height, a deficiency with respect to a youthful standard. Against this ageist mythology, this book argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. Instead of the usual biomedical or gerontological understanding of...
The Music of Harry Potter and The Lord of the Rings
The Music of Harry Potter and The Lord of the Rings provides an in-depth study of the music of two of the biggest fantasy franchises, focussing on music’s worldbuilding roles within the film-watching experience and elsewhere in videogames, trailers, plays, theme parks and other attractions, and the world of fandom. Daniel White takes a range of approaches and techniques of motivic and thematic musical analysis, and pairs this with transformational harmonic analysis to theorise music’s worldbuilding roles in film. Chapters focus in turn on the opening sequences of the case study franchise films, their closing sequences, and on their depiction of houses, homes and homelands. Extra-filmic a...
Composing Women
This volume presents fifteen musicological perspectives on the creativity of women composers and the question of 'femininity' in Southeastern-European musical cultures from 1918 on. In the questions about and beyond a 'female aesthetics', socio-cultural approaches to the lives of creative women prove to be indispensable for contemporary musicological gender research, because highly complex facts of musical life and social realities in political systems cannot be separated from each other. By this means the exclusion and marginalization of women composers in the national and international music establishment, as well as strategies for overcoming these systems, are made visible and brought to consciousness. This volume therefore focusses on the social, cultural, and biological preconditions of cultural action, and intends to arouse curiosity for multi-layered realities; it aims to increase the reception of the compositional oeuvre of women composers from Southeastern Europe by the global music scene, the musicological discourse, and an engaged audience.
Literacies, Global and Local
The articles collected in this volume draw on or relate to a body of work that has become known as the 'New Literacy Studies' (NLS), which studies literacy as situated semiotic practices that vary across sites in specific ways that are socially shaped. The collection offers a body of empirically and theoretically based papers on literacy ethnography as well as providing engagements with critical issues around literacy and education. The articles offer complementary perspectives on research and theory in literacy studies and include research perspectives from Africa, Asia, Australia, Europe, as well as North and South America. The researchers are all concerned to take the work of the New Literacy Studies further by expanding on its conceptual resources and research sites.
