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Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Essay by Deborah Wye. Foreword by Glenn D. Lowry.
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Robert Indiana's works all speak to the vital forces that have shaped American culture in the last half of the 20th century. The American Dream is the cornerstone of Indiana's mature work. It was the theme of his first major painting, sold to the Museum of Modern Art in 1961, as well as an ongoing series. Indiana also created one of the most widely recognized works of art in the world, Love. Much of Indiana's important contribution to American art has been overshadowed by the proliferation, pirating, and mass production of works bearing the image of Love. Daniel E. O'Leary discusses the artist's development through an examniation of his journal/sketchbooks from 1958-1963; Susan Elizabeth Ryan investigates Indiana's painting Love, its origins and impact on the artist's career; and Aprile Gallant contributes an essay on Indiana's preoccupation with the idea of the American Dream.
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Essay by Wendy Weitman.