You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In the aftermath of the Revolutionary War, the role of the citizen was seen as largely political. But as Catherine O'Donnell Kaplan reveals, some Americans believed that neither the nation nor they themselves could achieve virtue and happiness through politics alone. Imagining a different kind of citizenship, they founded periodicals, circulated manuscripts, and conversed about poetry, art, and the nature of man. They pondered William Godwin and Edmund Burke more carefully than they did candidates for local elections and insisted other Americans should do so as well. Kaplan looks at three groups in particular: the Friendly Club in New York City, which revolved around Elihu Hubbard Smith, with collaborators such as William Dunlap and Charles Brockden Brown; the circle around Joseph Dennie, editor of two highly successful periodicals; and the Anthologists of the Boston Athenaeum. Trough these groups, Kaplan demonstrates, an enduring and influential model of the man of letters emerged in the first decade of the nineteenth century.
Eric R. Schlereth places religious conflicts between deists and their opponents at the center of early American public life. This history recasts the origins of cultural politics in the United States by exploring how everyday Americans navigated questions of religious truth and difference in an age of emerging religious liberty.
A new look at the "eccentric author" figure in early nineteenth-century America
Arguing that American colonists who declared their independence in 1776 remained tied to England by both habit and inclination, Jennifer Clark traces the new Americans' struggle to come to terms with their loss of identity as British, and particularly English, citizens. Americans' attempts to negotiate the new Anglo-American relationship are revealed in letters, newspaper accounts, travel reports, essays, song lyrics, short stories and novels, which Clark suggests show them repositioning themselves in a transatlantic context newly defined by political revolution. Chapters examine political writing as a means for Americans to explore the Anglo-American relationship, the appropriation of John ...
Uncovers the vibrant, lost world of Boston's post-revolutionary poetry
In 1798, English essayist and novelist William Godwin ignited a transatlantic scandal with Memoirs of the Author of "A Vindication of the Rights of Woman." Most controversial were the details of the romantic liaisons of Godwin's wife, Mary Wollstonecraft, with both American Gilbert Imlay and Godwin himself. Wollstonecraft's life and writings became central to a continuing discussion about love's place in human society. Literary radicals argued that the cultivation of intense friendship could lead to the renovation of social and political institutions, whereas others maintained that these freethinkers were indulging their own desires with a disregard for stability and higher authority. Through correspondence and novels, Andrew Cayton finds an ideal lens to view authors, characters, and readers all debating love's power to alter men and women in the world around them. Cayton argues for Wollstonecraft's and Godwin's enduring influence on fiction published in Great Britain and the United States and explores Mary Godwin Shelley's endeavors to sustain her mother's faith in romantic love as an engine of social change.
The first comprehensive biography of Elihu Palmer tells the life story of a freethinker who was at the heart of the early United States' protracted contest over religious freedom and free speech. When the United States was new, a lapsed minister named Elihu Palmer shared with his fellow Americans the radical idea that virtue required no religious foundation. A better source for morality, he said, could be found in the natural world: the interconnected web of life that inspired compassion for all living things. Religions that deny these universal connections should be discarded, he insisted. For this, his Christian critics denounced him as a heretic whose ideas endangered the country. Althoug...
By examining the life and career of William Clark, this book explores how the North American West entered the American imagination. Clark was among the most important western officials of his generation, and he worked to represent the West during a period of tremendous uncertainty and change. Without ever calling himself a writer or an artist, Clark nonetheless drew maps, helped to produce books, drafted lengthy reports, surveyed the landscape, and wrote numerous journals that made sense of the West and its future for Americans who were fascinated by the region's potential but also fearful of its dangers. William Clark's World situates the descriptive words and pictures created by Clark and his contemporaries at the center of a discussion of western history and cultural development. The book casts new light on the familiar narrative of manifest destiny and on the nation's view of the West in the early nineteenth century. --Book Jacket.