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In this series debut, a modern-day homicide detective finds herself in Victorian Scotland―in an unfamiliar body―with a killer on the loose. May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness. May 20, 1869: Housemaid Catriona Mitchell had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead . . . exactly one-hundred-and-fifty years before Mallory was strangled in the same spot. When Mallory wakes up in Catriona’s body in 1869, she must put asi...
Disturbing the Dead is the latest in a unique series with one foot in the 1860s and the other in the present day. The Rip Through Time crime novels are a genre-blending, atmospheric romp from New York Times bestselling author Kelley Armstrong. Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends—and feelings—in this century. So, understanding the Victorian fascination with death, Mallory isn’t that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it’s not a mummy they’ve unwrapped, but a much more modern body.
New York Times bestselling author Kelley Armstrong’s unique time travel mystery series continues to entertain as Mallory adjusts to life in the 1870s After slipping 150 years into the past, modern-day homicide detective Mallory Atkinson has embraced her new life in Victorian Scotland as housemaid Catriona Mitchel. Although it isn’t what she expected, she’s developed real, meaningful relationships with the people around her and has come to love her role as assistant to undertaker Dr. Duncan Gray and Detective Hugh McCreadie. Mallory, Gray, and McCreadie are on their way to the Scottish Highlands for McCreadie’s younger sister’s wedding. The McCreadies and the groom’s family, the C...
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed the hell up: Sexually as...
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed. Lady Inglis introduces Mallory to Dickens—the meeting of a lifetime—but in return she wants their help. She’s being blackmailed. Someone stole letters she wrote to another lover and is threatening to publish them. Mallory isn’t sure what to make of Lady Inglis, but no woman deserves that, so she insists on taking the case with or without Gray’s help. Growing tension between them soon tells Mallory that Gray is hiding a secret of his own. She has until Hogmanay to uncover the blackmailer…and, hopefully, to put things right with Gray so they can enjoy the holiday together. Note this is not a full-length novel. It's a novella set after Disturbing the Dead.
Largely isolated from the world for more than four decades, Myanmar has made a remarkable return to the global stage following a political transformation that represents a watershed moment in the country's history. Now, for the first time ever, the rich culture, stunning landscapes and diverse peoples of the country are presented in a unique visual time capsule. Here is the new Myanmar as seen over a single week by a team of thirty famous photographers from eleven different countries. Their mission? To capture the life and spirit of Myanmar from every angle in every corner of the country. Through the downtown streets of Yangon and the handicraft centres of Mandalay, above the temple-dotted plains of Bagan and on the waters of Inle Lake, inside border towns and hilltribe villages and all the way to the furthest reaches of the north and south. The portrait they created reveals a nation full of natural beauty, old-world charm, deep spirituality and new hope. Featuring essays that provide context on Myanmar’s history and culture and hundreds of outstanding original photographs, 7 Days in Myanmar shows why the world is watching Myanmar and why Myanmar is ready for the world.
India is one of the most dangerous places on the planet to be a woman – or so the international press keeps telling us. But behind the headlines, what is it really like to be a woman in India today?
Walk in the shoes of some of India’s finest women writers, and go on a journey into their intimate lives in Walking Towards Ourselves. From the film sets of Bollywood to a closeted marital home in a Tamil Nadu village; from the slick boardroom of an online dating app to a makeshift bamboo house in the post-cyclone Sundarbans; from a beauty parlour where skin bleaching is the norm, to a home for abandoned girls in Karnataka, walk with them.
Walk with them as they...
For modern-day detective Mallory Atkinson, being trapped in the body of a Victorian housemaid means overcoming endless obstacles. Her current challenge is winning over the suspicious young parlormaid, Alice. Mallory’s plan starts with teaching the girl to make Molotov cocktails, which is a perfectly valid science experiment and not at all a desperate ploy to gain Alice’s attention. Before the lesson can begin, though, Alice receives a letter that has her slipping off in the night. Concerned for her safety—and naturally curious—Mallory follows. Mallory finds Alice at what seems like a simple dance hall, watching young men and women flirting and whirling in pretty dresses and dapper suit-coats. But nothing here is what is seems, and what starts as a simple surveillance exercise turns into a full-scale spy mission with Mallory’s boss, Dr. Duncan Gray, at her side. Before the evening is done, those Molotov cocktails are probably going to come in handy. Note this is not a full-length novel. It's a novella set after The Poisoner's Ring.
This book explores the drama of John B. Keane and focuses on his best-known play, The Field, in an examination of the cultural and psychological resonances present in his work. From the changing social, political, and economic contexts of the play’s genesis, to present-day austerity and malaise, The Field remains a popular and relevant piece of theatre, and in this publication possible motivations behind such popularity and relevance are posited. Unconscious resonant processes of identification at play within The Field are explored through the application of psychological and post-colonial filters, and the analysis of Keane’s representations of gender, both masculine and feminine, with s...