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Remains - Tomorrow
A massive survey of contemporary Latin American abstract art Highlighting work from 280 artists, this lavishly illustrated volume explores different manifestations of post 90s Latin American abstraction, underlining its relationship to modern abstraction, and examining how it may reflect issues such as gender, interculturality, contextual specificity, popular culture and the everyday.
Radical Women
This volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Published in association with the Hammer Museum. The exhibition took place from Sep 15, 2017-Dec 31, 2017, in the Hammer Museum, Los Angeles.
Women Made Visible
2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role p...
Curatorial Activism
A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates ...
The Political Body
"This book discusses how some works of art produced in Latin America in the sixties, seventies, and eighties forged a different understanding of the female body, understood as space for the expression of a dissident subjectivity in relation to socially normalized places. Representations of art and of feminist activism interrogated the disciplining of the female body that entails as well the disciplining of the male body. Before a history of highly regulated artistic representations-regardless of the occasional exceptions a historian might point out-images erupted that questioned the social and institutional naturalization of the feminine and the masculine"--
Intersecting Modernities
"This book was published to accompany the exhibition of the same title that was presented at the Museum of Fine Arts, Houston, from June 23 to September 2, 2013."--T.p. verso.
Sitios de la Abstracción Latinoamericana
The history of Latin American abstraction has not yet been completely written, but what "has" been written owes much to the Miami-based Cisneros Fontanals Art Foundation. This substantial new publication includes 146 abstract geometric artworks from the 1930s-1970s--drawings, paintings, sculptures and photography from such cultural centers as Argentina, Brazil, Mexico, Uruguay and Venezuela. It also elaborates on a new perspective: that Latin American identity greatly affected the art of the Modernist period. Art historian and curator Juan Ledezma creates unexpected connections and visual analogies across generational and national boundaries, offering, for example, socio-political corollaries between Latin American Concrete art and concurrent movements like Russian Constructivism and Suprematism.
Radical Eroticism
In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.
Anna Maria Maiolino
Accompanying the first major UK solo exhibition of her work, this comprehensive publication charts five decades of Brazil-based artist Anna Maria Maiolino, one of the defining female voices of her generation. Born in Calabria, Italy, in 1942, Anna Maria Maiolino's extraordinary multi-dimensional career is presented by Whitechapel Gallery in the first major UK solo exhibition of the artist's work. Bringing together emotive clay sculptures, politically-charged films and performances, drawings, photography and installations, the large-scale survey will feature highlights of Maiolino's work from the late 1960s to the present. Drawing inspiration from the everyday female consciousness, Maiolino's...
