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Lauren Huret travaille sur un aspect particulièrement invisible d'Internet : l'effacement d'images qui, paradoxalement, laissent des traces.0Pour gérer le flux d'images violentes, offensives et traumatisantes qui se déversent sans cesse sur les plateformes tels que Facebook ou Instagram, ceux-ci font appel à des entreprises de sous-traitance qui emploient des centaines de milliers de personnes dont la profession, content manager, consiste à trier et censurer ces contenus.0Exposés à des dizaines de milliers d'images traumatisantes chaque jour, soumis à des conditions de travail effrayantes, les content managers ? qui travaillent principalement à Manille, aux Philippines ? n'ont accès à aucun support psychologique et sont tenus au silence par des rapports obscurs liés à la sous-traitance.0Cette publication présente les recherches et entretiens de l'artiste, comme partie intégrante de sa pratique. Ces textes fournissent des informations de fond qui resituent les sujets abordés dans l'exposition dans un contexte philosophique, psychologique et critique des nouvelles technologies.
Writings by Thomas Hirschhorn, collected for the first time, trace the development of the artist's ideas and artistic strategies. For the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time. In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. “Statement...
The exhibition invites viewers to undertake a two-way journey, from Southto North, and examine the similarities and differences between the work ofthose artists who emigrated and the work of those who stayed. It also invitesus to reevaluate our concept of what is African. The works represent several generations of artists who have penetrated international circuits in recent years. Frdric Bruly Bouabr (Ivory Coast) serves as the starting point for a dialogue between the local and the global with works that challenge every possible preconceived idea about tradition and contemporaneity. In turn, these establish a harmonious dialogue with the works of other artists such as William Kentridge (Sou...
The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alik...
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Frank, illuminating and poignant immigrant tales from twenty of Europe's writers, artists, politicians and scholars looking back at their roots, their journeys and their divided loyalties.
The imagery in this book, which revolves around radial shapes and concepts, also forms the basis of a video work in the exhibition. Specific for the book is the use of two separate layers of black ink, allowing Suter to create double images and to merge patterns and screens. Departing from pages scanned from her collection of second hand tomes--mainly concerning natural science, precision machinery, and art history--Suter freely manipulates them and reorders them within the space of a book, which can be seen as a condensed exhibition on paper. The result is a journey along visual phenomena that reconnects us with the endless curiosity and patience of our younger selves leafing through an encyclopedia, unattended and unable to read, yet all the more sensitive to its inner visual rhymes and correspondences. With a text by Henri Michaux from 1968 [in English translation and French].
This spectacular volume reproduces in full color some 150 pieces from the Anthony Petullo Collection, an extraordinary assemblage of paintings and drawings produced by individuals working outside the perimeter of conventional art training and traditions. Some of the pieces are fanciful, even whimsical. Others are haunting in their unembellished depiction of vulnerability and terror. Some are spare; others are crowded with figures. Some exhibit a childlike simplicity; others are almost sculpted in their precision and clarity. The thirty-six European and North American artists represented in Self-Taught and Outsider Art include a hospital janitor, a factory worker, concentration camp survivors...
The original vision on contemporary design and the encounter with other disciplines opens the architecture of Philippe Rahm to multiple possibilities. Constructed Atmospheres provides a selection of projects in which light, temperature, pressure, humidity, represent the 'brick' for a new discipline that can be defined by the term "meteorological design". Philippe Rahm's design is based on the principle that man faces reality from the inside and does not produce objects but atmospheres. The book provides a profile of the Swiss architect both as a theorist and as a designer, through the most recent works and a series of conversations conducted by Massimiliano Scuderi between 2011 and today. This book is in English only, it is a black and white edition of the bilingual book (English and Italian) "Philippe Rahm Architectes.Atmosfere Costruite _ Constructed Atmospheres" published by Postmedia Books (Milano 2014) isbn 9788874901241
The International Federation of Library Associations and Institutions (IFLA) is the leading international body representing the interests of library and information services and their users. It is the global voice of the information profession. The series IFLA Publications deals with many of the means through which libraries, information centres, and information professionals worldwide can formulate their goals, exert their influence as a group, protect their interests, and find solutions to global problems.