Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ogata Kōrin
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.
Dissidence
How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative...
The Malay Peninsula
This book attempts to give an accurate history of the Malay peninsula from the first centuries of the Chrisitan era to the 14th century, a story of city states and chiefdoms directly connected with the commercial relationship of the maritime Silk Road.
Enfances
None
The Courts of Pre-Colonial South India
This book investigates how the material culture of South Indian courts was perceived by those who lived there in the pre-colonial period. Howes peels away the standard categories used to study Indian palace space, such as public/private and male/female, and replaces them with indigenous descriptions of space found in court poetry, vastu shastra and painted representations of courtly life. Set against the historical background of the events which led to the formation of the Ramnad Kingdom, the Kingdom's material circumstances are examined, beginning with the innermost region of the palace and moving out to the Kingdom via the palace compound itself and the walled town which surrounded it. An important study for both art historians and South India specialists. The volume is richly illustrated in colour.
Donner et recevoir
None
The Sigiriya Royal Gardens
Besides the efforts that are of a descriptive and celebrative nature, studies related to Sri Lanka's historical built heritage largely view material remains in historical, sociological, socio-historical and semiological perspectives. There is hardly any serious attempt to view such material remains from a technical-analytical approach to understand the compositional aspects of their design. The 5th century AC royal complex at Sigiriya is no exception in this regard. The enormous wealth of information and the material remains unearthed during more than 100 years of field-based research by several generations of archaeologists provide an ideal opportunity for such analysis. The Sigiriya Royal Gardens fills the gap in research related to Sri Lanka's historical built heritage in general, and to Sigiriya in particular. Therefore, the present research attempts to read Sigiriya as a landscape architectonic design to expose its architectonic composition and design instruments.
The Maritime Frontier of Burma
Situated at the periphery of both South and Southeast Asia, the maritime frontier of Burma (Arakan, Lower Burma and Tenasserim) has long been neglected area of study. In spite of its location at the outskirts of powerful Asian polities such as Taungngu Burma, Ayutthaya and Mughal India, it served as an important cultural and commercial crossroads connecting all the regions surrounding the Bay of Bengal. For the first time in Burmese studies, this volume explores the interactive elements of Coastal Burma's civilization by bringing together a unique array of scholars, both historians and art historians, both anglophones and francophones, both South Asianists and Southeast Asianists. The result is a creative and colorful pastiche that pays tribute to Burma's distinctive political, cultural and commercial place in the Indian Ocean world.
La construction du discours colonial
La question de la colonisation est redevenue un enjeu d'actualité et l'objet d'une demande sociale. Les controverses actuelles s'inscrivent dans des continuités qui expliquent souvent leur acuité, sans qu'il soit nécessaire d'aller chercher des " vérités cachées ". Par delà les polémiques du moment, l'ouvrage propose de suivre l'élaboration de cette histoire des relations contemporaines entre la France et les mondes extra- européens. Colonisation, impérialisme, fait colonial, etc : la multiplicité des expressions atteste de l'évolution et du pluralisme des discours sur ce passé récent, complexe tant dans son vécu que dans son écriture. C'est de cette diversité que le livre...
Mapping Chengde
The imperial residence of Chengde was built by two powerful and ambitious Manchu emperors between 1703 and 1780 in the mountains of Jehol. The site, which is on UNESCO's World Heritage List, combines the largest classical gardens in China with a unique series of grand monasteries in the Sino-Tibetan style. Mapping Chengde, the first scholarly publication in English on the Manchu summer capital, reveals how this unlikely architectural and landscape enterprise came to help forge a dynasty's multicultural identity and concretize its claims of political legitimacy. Using both visual and textual materials, the author explores the hidden dimensions of landscape, showing how geographical imagination shaped the aesthetics of Qing court culture while proposing a new interpretation of the mental universe that conceived one of the world's most remarkable examples of imperial architecture.
