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Ts'ao P'i Transcendent
Analyses the foundation of the San-kuo Wei Dynasty by Ts'ao P'I in 220 CE, using the main historical accounts, a wide range of religious and philosophical writings, epigraphical records, and above all, the records contained in the commentaries to Ch'en Shou's San-kuo chih by the fifth century writer P'ei Sung-chih.
Reading the Right Text
Reading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies. Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.
The Lost Pages of the Necrom
The Necrom consists of seven mystical pages written by Cain after he had been scolded by the Creator for taking his brother's life. Lucifer came to him and asked him to write the down the names of the seven spirits of the earth, with his blood, on seven pages. That if these pages were read by a righteous man who had never sinned, it would break the gates of hell and free his brother. Cain later realized after he had read the pages that it didn't work as Lucifer had promised. That only a righteous man who had never sinned could make it work and that Lucifer wasn't helping him from the kindness of his heart. Lucifer was using him to find a way out of his chains, for if you free one, you've fre...
Medical Ethics in Imperial China
The ethics of Chinese physicians were formulated during the Confucian era and advocated the interests of the general public. Medical resources in China were distributed to shamans (up to this century), Buddhist monks, Taoist hermits, Confucian scholars, itinerant and established physicians, laymen, midwives, and many others. Conflict over distribution of those resources affected everyone. Independently practicing physicians acquired more and more control. Ethical debates were used to centralize resources among physicians. Prognosis has become increasingly significant as a means of protection and reputation. A formulated ethics from the elite group of physicians must not only subject itself to the values dominating society but create values in the advanced medical regions; e.g., allocation of resources to preserve life.
Romance of the Three Kingdoms by Luo Guanzhong (Illustrated)
One of the Four Great Classical Novels of Chinese literature, the historical novel ‘Romance of the Three Kingdoms’ is attributed to Luo Guanzhong, a fourteenth century playwright. The narrative is set against the picturesque backdrop of the turbulent years at the end of the Han dynasty and the Three Kingdoms period, starting in 184 AD and culminating with the reunification of the land in 280 by Western Jin. It is among the most beloved works of literature in East Asia and its literary influence in the region has been compared to that of the works of Shakespeare on English literature. Part historical, part fictional, the novel dramatises the lives of feudal lords and their retainers, who ...
National Library of Medicine Current Catalog
First multi-year cumulation covers six years: 1965-70.
