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English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive crux...
He argues that Lear's "howl," for example, targets and rewards physical hearing, physical speaking, and their accompanying emotions as somatically connected to current or remembered sensations in mouth, throat, and lungs."--BOOK JACKET.
In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to grow together into a compact word, generating a feeling of some dense, undifferentiated mass. Poetic language typically exploits such precategorial information for its effects. By way of theoret...
The ideas of Max Wertheimer (1880-1943), a founder of Gestalt theory, are discussed in almost all general books on the history of psychology and in most introductory textbooks on psychology. This intellectual biography of Wertheimer is the first book-length treatment of a scholar whose ideas are recognized as of central importance to fields as varied as social psychology, cognitive neuroscience, problem solving, art, and visual neuroscience. King and Wertheimer trace the origins of Gestalt thought, demonstrating its continuing importance in fifteen chapters and several supplements to these chapters. They begin by reviewing Wertheimer's ancestry, family, childhood in central Europe, and his f...
Originally published as a special issue of 'Exemplaria', these essays deserve a much wider audience. They deal with Jewish studies and the medieval historian, rabbinic ecclesiology and the synods of Nicaea and Yavneh, Jewish women martyrs, sexual politics and marriage, late-medieval Castile, nation and miscegenation, cultural hybridity, and Kabbalistic anthropology. The authors are widely published scholars and critics in various fields of Jewish studies. The volume will be valuable to many scholars, teachers, and students. The essays open up so many interesting avenues of inquiry that they will enlighten and challenge not only specialists in Jewish studies but also scholars, critics, students, and teachers of medieval literature and Jewish literature, medieval history and culture, women's studies, and religious studies.
Criminological theory dating back one hundred years has been aware of the need to develop a neurobiology of extroversion, impulsivity, frontal-lobe dysfunction, and aggressive behavior, yet in the twentieth century criminologists have largely forsaken this psychobiological legacy. The Neurobiology of Criminal Behavior looks at this legacy with reference to a variety of neurobiological methodologies currently in vogue. The authors are all distinguished researchers who have contributed considerably to their respective fields of psychiatry, psychology, psychobiology, and neuroscience.
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.
Jacqueline Broad presents a new account of the philosophy of Mary Astell (1666-1731), which situates Astell's feminist, political, and religious views in the context of her wider philosophical vision. She argues that at the heart of Astell's thought lies a theory of virtue which emphasises generosity of character, benevolence, and moderation.
This book explores the collaborative practices – both literary and material – that women undertook in the production of early modern texts. It confronts two ongoing methodological dilemmas. How does conceiving women’s texts as collaborations between authors, readers, annotators, editors, printers, and patrons uphold or disrupt current understandings of authorship? And how does reconceiving such texts as collaborative illuminate some of the unresolved discontinuities and competing agendas in early modern women’s studies? From one perspective, viewing early modern women’s writing as collaborative seems to threaten the hard-won legitimacy of the authors we have already recovered; from...