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Les chanteurs
Dans l’atelier parisien de Madame Suzanne, cantatrice sur le déclin et professeure de chant de renom, les jeunes chanteurs lyriques se réunissent pour une séance de travail collective : cours de chant et de technique vocale, où ils s’écoutent mutuellement. La soprano Clémence, le ténor Victor et le baryton Franck n’y chanteront finalement que brièvement, se faisant interrompre par des envies de confessions intimes et des visites et performances diverses, que Madame Suzanne tentera de maîtriser avec plus ou moins de succès... À PROPOS DE L'AUTRICE Mariam Sarkissian, ayant grandi dans l’environnement théâtral de ses parents, scénographe et metteur en scène, a été témoin de toutes les étapes de la création de spectacles. Elle a développé un amour pour les répétitions, observant les nuances émotionnelles et les interactions dramatiques qui s’y déroulaient. Plus tard, devenue chanteuse lyrique puis professeure de chant, elle a naturellement commencé à écrire des saynètes inspirées de son expérience. "Les Chanteurs" est son premier projet dramatique.
La diffusion des cultes isiaques autour de la Mer Adriatique
Originally presented as the author's thesis, Universitae de Paris IV: Paris-Sorbonne.
Le Guide Musical
None
Déodat de Séverac
Dat de Srac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described Srac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. Srac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of Srac, focusing on the composer's regionalist philosophy. Srac's engagement with folk mus...
Ne cherchez pas à comprendre, dansez seulement !
At a time when Côte d’Ivoire was experiencing a military-political crisis and was split in two (2002), the Coupé-Décalé appeared as a real innovation in the Ivorian musical universe. It caused a “sensation” with cultural practices, a dress code, choreographic concepts and musical forms that were atypical of the time. While pre-existing genres, such as Reggae, Hip Hop and Zuglou, are positioned as “committed” music, Coupé-Décalé, on the other hand, is in a completely different register: that of bringing joy, setting the mood, forgetting the sad reality of this difficult period. Nearly two decades later, the Coupé-Décalé continues to enjoy great popularity among a community...
Choral Treatises and Singing Societies in the Romantic Age
David Friddle explores choral methods and community choral ensembles that originated in the nineteenth century. Using more than one hundred musical examples, illustrations, tables, and photographs, he documents the expansion of choral singing beginning in the early 1800s.
Folk music of Canada's oldest Polish community / La musique traditionnelle de la plus ancienne communauté polonaise du Canada
A field collection of the repertoire of song and dance music of the Polish-Canadians of Renfrew County, Ontario, and a discussion of its function in their daily lives. / Échantillon du répertoire musical des Canadiens polonais du comté de Renfrew, Ontario, et l’amorce d’une discussion sur sa fonction au sein de la communauté.
