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The Principles and Practice of Dentistry, Including Anatomy, Physiology, Pathology, Therapeutics, Dental Surgery and Mechanism
Hardcover reprint of the original 1882 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Harris, Chapin Aaron. The Principles And Practice of Dentistry, Including Anatomy, Physiology, Pathology, Therapeutics, Dental Surgery And Mechanism. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Harris, Chapin Aaron. The Principles And Practice of Dentistry, Including Anatomy, Physiology, Pathology, Therapeutics, Dental Surgery And Mechanism, . Philadelphia, P. Blakiston, Son & Co., 1882. Subject: Dentistry, Operative
Dissertation on the Diseases of the Maxillary Sinus
Reprint of the original, first published in 1843.
A Companion to V.
To the uninitiated, Thomas Pynchon’s V. seems to defy comprehension with its open-ended and fragmented narrative, huge cast of characters (some 150 of them), and wide range of often obscure references. J. Kerry Grant’s Companion to “V.” takes us through the novel chapter by chapter, breaking through its daunting surface by summarizing events and clarifying Pynchon’s many allusions. The Companion draws extensively from existing critical and explicative work on V. to suggest the range of interpretations that the novel can support. The hundreds of notes that comprise the Companion are keyed to the three most widely cited editions of V. Most notes are interpretive, but some also provide historical and cultural contexts or help to resurrect other nuances of meaning. Because it does not constitute a particular “reading” of, or “take” on, the novel, the Companion will appeal to a wide range of users. Rather than attempting to make final sense of the novel, the Companion exposes and demystifies Pynchon’s intent to play with our conventional attitudes about fiction.
