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"Lang evaluates Chappell's major works, including the four novels preceding Midquest, the first five volumes of poetry, the remarkably different books of poems published between Castle Tzingal and Spring Garden: New and Selected Poems, and the two collections of short stories. An investigation of the varied connections between and achievements of the Kirkman tetralogy and Midquest concludes this analysis."--BOOK JACKET.
Nine teenagers flee North Korea, dreaming of a new life in the South. But the danger is far from over. With threats around every corner, perhaps the mysterious figure of Big Brother can help them? Or is he the very person they're running from? As their lives hang in the balance, could the teenagers' fate ultimately come down to a garish South Korean variety show? Inspired by a true story, this is the story of hope, escape and cultural difference. Originally commissioned as a play for the National Theatre Connections Festival 2018, this new single-text edition is published for the first time in Methuen Drama's Plays For Young People series. With a cast size of 10 plus an ensemble, its a perfect contemporary drama for young people to study and perform.
“We have to be careful, we can’t trust anyone. But, in the dark, your thoughts are your own.” Crossing military borders and class divides, P’yongyang tells the epic love story of two North Korean childhood sweethearts spanning three decades. Chi-Soo and Eun-Mi dare to dream of a life together in P’yongyang, working for Kim Jong Il’s film studios. But as those around them start to disappear and information from the outside world trickles in, the devoted Communists are forced to view their glorious homeland in a different light. Written by award-winning, Korean-born playwright In-Sook Chappell - who was inspired by a childhood visit to the Demilitarized Zone at the height of the Cold War and by the experiences of North Korean refugees - P'yongyang is a striking new work that was shortlisted for the 2013 Bruntwood Prize Award.
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The civil rights movement was arguably the most successful social movement in American history. In a provocative new assessment of its success, David Chappell argues that the story of civil rights is not a story of the ultimate triumph of liberal ideas after decades of gradual progress. Rather, it is a story of the power of religious tradition. Chappell reconsiders the intellectual roots of civil rights reform, showing how northern liberals' faith in the power of human reason to overcome prejudice was at odds with the movement's goal of immediate change. Even when liberals sincerely wanted change, they recognized that they could not necessarily inspire others to unite and fight for it. But t...
Play helps define who we are as human beings. However, many of the leisurely/ludic activities people participate in are created and governed by corporate entities with social, political, and business agendas. As such, it is critical that scholars understand and explicate the ideological underpinnings of played-through experiences and how they affect the player/performers who engage in them. This book explores how people play and why their play matters, with a particular interest in how ludic experiences are often constructed and controlled by the interests of institutions, including corporations, non-profit organizations, government agencies, religious organizations, and non-governmental organizations (NGOs). Each chapter explores diverse sites of play. From theme parks to comic conventions to massively-multiplayer online games, they probe what roles the designers of these experiences construct for players, and how such play might affect participants' identities and ideologies. Scholars of performance studies, leisure studies, media studies and sociology will find this book an essential reference when studying facets of play.
A collection of history plays by Peter Whelan, one of Britain's most loved contemporary playwrights. The plays are 'The Herbal Bed', 'The School of the Night' and 'The Accrington Pals'.