Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Deadly Art: European Crossbows, 1250–1850
"The advent of the crossbow more than 2,500 years ago effected dramatic changes for hunters and warriors. For centuries, it was among the most powerful and widely used handheld weapons, and its popularity endures to this day. A Deadly Art presents a lively, accessible survey of the crossbow's "golden age," along with detailed descriptions of twenty-four remarkable examples. Beginning in the middle ages, the European aristocracy's enthusiasm for the crossbow heralded shooting competitions and pageants that featured elaborately decorated weapons bearing elegant embellishments of rare materials and prized artistry. In addition to being highly functional, these weapons were magnificent works of art. A Deadly Art includes fascinating descriptions of crossbows used by Margaret of Savoy and Holy Roman Emperors Maximilian I and Charles V, among others."--Publisher's description.
Heroic Armor of the Italian Renaissance
The re-creation of classically inspired armor is invariably associated with Filippo Negroli, the most innovative and celebrated of the renowned armorers of Milan.
Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks
Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
The Armored Horse in Europe, 1480-1620
"This catalogue is issued in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, from February 15, 2005, to January 15, 2006."--BOOK JACKET.
The Earls of Essex
Profusely illustrated with rare and unpublished imagesAn extraordinary insight into the Capell familyA tale of plots, intrigue, battles, court cases and family quarrelsA thoroughly researched and very readable account of this astounding family This is the dramatic, often erratic, and at times unbelievable story of the fortunes and misfortunes over 900 years to the present day of one of England’s premier aristocratic families, who in 1661 were given the Earldom of Essex by Charles II. This previously untold story begins just after the Norman Conquest and ends at the present day. Over a period of 400 years, the Capell family built a fortune, and over the next 500 years, lost it due to an incredible number of mistakes, bad judgement calls, and misfortunes. The Earls of Essex examines the rise and fall of this family, providing in-depth analysis and judgement on the reasons behind their decline.
The Last Knight
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
