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In the fifth book in the Charles Bloom Murder Mystery series...Prehistoric pots worth millions hidden on a high cliff in Wupatki National Monument hold vital clues to prehistoric agriculture and migrations--and to Santa Fe art dealer Charles Bloom's own future. To ensure his family's safety, Bloom must uncover the meaning of a pothunter's plunder, expose an unethical international gallery owner, and solve a thousand-year-old mystery that centers on his Canyon Road art gallery.Unbeknownst to Bloom, Juan de Oñate's Santa Fe governorship four hundred years earlier has seemingly unstoppable life-and-death implications for his wife, the Navajo weaver Rachael Yellowhorse. For all to survive, Bloom and Lt. Billy Poh of the Santa Fe Police Department must come to grips with a historical quagmire and stop the cascade of atrocities from landing directly on Bloom's front porch.
The sixth book in the Charles Bloom Murder Mystery series¿ In 1961, two Navajo boys must bet each other's lives-and risk their most prized possessions-to escape the wrath of the sadistic headmaster of a Gallup Indian boarding school. The white devil and his spawn will stop at nothing-not even murder-to acquire the objects of their desire. Fifty years later, a brush with death draws Rachael Yellowhorse and Charles Bloom back to the Navajo reservation, where they unwittingly stumble on a decades-old secret of child abuse and stolen heirlooms. Charles and Rachael must pick the awful lock of truth before deadly traps for the Navajo boys-now grown men-are sprung. The extended Bloom family also is in peril as the circle of life closes in on all those involved, and the white crosses in the graveyard of Two Trees Indian School yearn for justice.
For a thousand years a hidden canyon on Rachael Yellowhorse's ancestral lands and the adjacent property owned by the Manygoats family has protected a masterpiece of petroglyphs deep inside the Navajo nation. These ancient works of art hold a secret with a power so strong their Anasazi makers kept them out of the reach of mere mortal human beings. At his Santa Fe Indian Market show, gallery owner Charles Bloom unwittingly promotes the sacred rock-art images and sets in motion a cascading series of events that leads to the worst kind of human being searching out these hidden petroglyphs. Little could Bloom know that his discerning eye for art would connect him to a chain of murders stretching back 40 years earlier and to an individual who is not a collector of Native art but a psychopathic killer, the likes of which the Diné have no word to describe. Bloom will need all his observational skills to spot the killer before it's too late. It's a race against ancient history and for Bloom, time may finally run out.
Announcements for the following year included in some vols.
In the second book in the Charles Bloom Murder Mystery series? On the Navajo Reservation, in a little aluminum trailer situated on a remote washboard road north of Kayenta, Arizona, Dr. Carson Riddly begins his family practice stint. He's been exiled to the most remote medical clinic in the Indian Health Service. His duty station lies in the heart of Navajoland, with 300-foot crimson cliffs for a backdrop and no neighbors in sight. When a murder occurs on Doc Riddly's watch, the talk turns to skinwalkers, gamblers, weavers, and drugs. Everyone is a suspect, including the doctor. Riddly reaches out to the only other bilagaana he knows on the rez, art dealer Charles Bloom. Unbeknownst to Bloom, whose Santa Fe gallery represents several Navajo artists, a string of savage murders is closer then he can imagine. By helping the doctor, Bloom exposes himself and his girlfriend, weaver Rachael Yellowhorse, to a cold-blooded killer's wrath. If Riddly and Bloom can't put the pieces together quickly enough, the man in the orange hat and blinding white teeth will add two more to his growing list of victims.
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In The Daemon Knows, celebrated American literary critic Harold Bloom turns his attention to the writers of his own national literary tradition, from Walt Whitman and Herman Melville to William Faulkner and Hart Crane. The distillation of a lifetime lived among the works explored in these pages, this book is also one of Bloom's most profoundly personal to date.