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A detailed history of the Boston Athenaeum's historic role in the founding of the Museum of Fine Arts, Boston
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In 1900, Edith Wharton burst into the settled summer colony of Lenox. An aspiring novelist in her thirties, she was already a ferocious aesthete and intellect. She and her husband, Teddy, planned a defiantly classical villa, and she became a bestselling author with The House of Mirth in 1905. As a hostess, designer, gardener and writer, Wharton set high standards that delighted many, including Ambassador Joseph Choate and sculptor Daniel Chester French. But her perceptive and sometimes indiscreet pen also alienated potent figures like Emily Vanderbilt Sloane and Georgiana Welles Sargent. Author Cornelia Brooke Gilder gives an insider's glimpse of the community's reaction to this disruptive star during her tumultuous Lenox decade.
American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.
The fifth volume of the collected letters of Margaret Fuller traces a period of great emotional turbulence, reflecting the personal struggles she faced in motherhood and the external strife of revolutionary Europe in 1848. The book opens as she takes up residence in Rome, where she continued to write essays for the New-York Daily Tribune and kept up a steady flow of commentary on the political situation for her family and friends. Among Fuller's correspondents are Ralph Waldo Emerson, Giovanni Ossoli, William Wetmore Story, Giuseppe Mazzini, Horace Greeley, George William Curtis, and Elizabeth Barrett Browning. Many of the letters were written in Italian and are translated here for the first time. Since Fuller was more centrally involved in the Italian Risorgimento than any other American, they constitute an entirely new documentary source for historians of nineteenth-century Italy.
The life and times of extraordinary Philadelphia art collector Albert C. Barnes Philadelphia art collector Albert C. Barnes (1872–1951) is renowned today for collecting many of the world’s most important impressionist, post-impressionist, and modern paintings, and displaying them alongside African masks, Native American jewelry, Greek antiquities, and decorative metalwork. The museum that bears his name holds more than eight hundred paintings, with a strong focus on Renoir, Cézanne, Matisse, and Picasso, as well as other European and American masters. In The House of Barnes, Neil L. Rudenstine provides the first scholarly study on the historical, art historical, and political context du...