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The Queen of Sicily and Gothic Stained Glass in Mussy and Tonnerre
  • Language: en
  • Pages: 150

The Queen of Sicily and Gothic Stained Glass in Mussy and Tonnerre

Following the death of St. Louis, a new court fashion of ostentatious display was introduced into French stained glass with the advent of Queen Marie de Brabant, who in 1274 became the second wife of St. Louis's heir Philippe le hardi. Little stained glass in this new style survives, since the very motifs that made it different -- large donor 'portraits, ' elaborate heraldry, lavish name-inscriptions -- were targets of vandalism. This study reconstructs two ensembles in the new style, at Mussy-sur-Seine in southern Champagne & at the medieval hospital of Tonnerre in Burgundy. Both can be connected with the extraordinary figure of Marguerite de Bourgogne. Titled the Queen of Sicily, she was a revered agent of Christian charity of the Gothic era. 50+ illustrations.

Manifestoes and Transformations in the Early Modernist City
  • Language: en
  • Pages: 332

Manifestoes and Transformations in the Early Modernist City

The industrialization of the nineteenth-century European city facilitated developing conceptions of the model city, and allowed for large scale urban transformations. The urban discourse in the latter half of the nineteenth century was consequently dominated by a dialectic exchange between the ideal and the practical, a debate played out in the formation of the modern metropolis. Manifestoes and Transformations is the first work to deal with urban utopias and their relationship with actual urban interventions. Bringing together a carefully chosen, wide-ranging team of experts, the book provides a broad, contextual exploration of the ideas and urban practices which are the foundations of our conception of the contemporary city. As such, it is a valuable resource for students interested in the formation of the modernist city.

The Journey to Delphos
  • Language: en
  • Pages: 62

The Journey to Delphos

  • Type: Book
  • -
  • Published: 2017-03-01
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  • Publisher: Kopp Company

The Tuileries Palace in Paris and the Antebellum Plantations of New Orleans are the backdrop for a young soldier’s journey to save an immigrant family and the destiny of a young nation as the Kopp Chronicles sweeping saga of “An Immigrant American” and “A Trace of Royalty” continue.

An Account of the Library of Art at Marlborough House, with a Catalogue of the Principal Works
  • Language: en
  • Pages: 336

An Account of the Library of Art at Marlborough House, with a Catalogue of the Principal Works

  • Type: Book
  • -
  • Published: 1855
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  • Publisher: Unknown

None

Library Catalog
  • Language: en
  • Pages: 1008

Library Catalog

  • Categories: Art
  • Type: Book
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  • Published: 1960
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  • Publisher: Unknown

None

The First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1034

The First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art

Reprint of the original, first published in 1870.

The First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1160

The First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

Universal Catalogue of Books on Art: A to K
  • Language: en
  • Pages: 1046
Catalogue of the art library, South Kensington museum
  • Language: en
  • Pages: 348

Catalogue of the art library, South Kensington museum

  • Type: Book
  • -
  • Published: 1862
  • -
  • Publisher: Unknown

None

Architecture and the Historical Imagination
  • Language: en
  • Pages: 624

Architecture and the Historical Imagination

  • Type: Book
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  • Published: 2016-04-15
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  • Publisher: Routledge

Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.