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This is the history of the most significant translator, publisher, and distributor of left-wing literature in the United States. Based in Chicago and still publishing, Charles H. Kerr & Company began in 1886 as a publisher of Unitarian tracts. The company's focus changed after its founder, the son of abolitionist activists, became a socialist at the turn of the century. Tracing Kerr's political development and commitment to radical social change, "We Called Each Other Comrade" also tells the story of the difficulties of exercising the First Amendment in an often hostile business and political climate. A fascinating exploration in left-wing culture, this revealing chronicle of Charles H. Kerr and his revolutionary publishing company looks at the remarkable list of books, periodicals, and pamphlets that the firm produced and traces the strands of a rich tradition of dissent in America.
"IN THIS LAVISHLY illustrated collection of activist essays, articles and reviews from the late 70s to the present, the noted author of The Wages of Whiteness, Towards the Abolition of Whiteness and other pathbreaking critical studies of America's "white problem" focuses on the complex issue of MISERABILISM in its many and invariably oppressive forms."--Publisher's website.
In the 1960s and '70s, class struggle surged in U.S. industrial cities. Many leftists joined these struggles by going to work in the nation's factories; among them was Noel Ignatiev. He labored in different factories during this period, and this memoir came from his experiences as an electrician in the blast furnace division of U.S. Steel Gary Works. His first-hand account reveals the day-to-day workings of white supremacy, patriarchy, and the exploitation of labor. More so, though, we see the seeds of a new society sown in the workers' on-the-job resistance. The stories Noel tells are gripping and humorous--and at times will bring you to tears.
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—...
In the half-century since it was written, Hall's Labor Struggles In The Deep South, published here for the first time, has become an underground classic among activist historians writing on the South and on working people. Hall - journalist, organizer, rebel, professor and poet - brings to life the dramatic early 20th century struggles of the waterfront workers of New Orleans and the militant timber workers of Louisiana and East Texas. Writing about events in which he played a central role and about the broader history of Southern labor, Hall describes many of the finest hours of integrated industrial unionism in the US and the role of the IWW in creating fragile unity across racial lines. T...
Reprint. Originally published: Twenty-four cartoons of Mr. Block. Minneapolis, Minn.: Block Supply Co., 1913.
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