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Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for st...
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A catalog of the portraits in the Independence Nat. Historic Park collection. These portraits consist of 255 works, 109 of them by Charles Willson Peale. Many are likenesses of heroes of the Amer. Revolution and founders of Amer. gov't., statesmen, jurists, men of science, art and letters. The collection was enhanced by the addition of the works of notable 18th and 19th cent. Anglo-Amer. artists. There are two sections: a history of the collection dividing it in chapters covering works pre-1950, 1850-1900 and 1900-1951, and a catalog. Each catalog entry is enhanced with either a black and white or four-color reproduction and contains a physical description of the portrait, a biography of the subject, the circumstance of the portrait's commission and its provenance.
Essays on Benjamin West, John Singleton Copley, Charls Willson Peale, and Gilbert Stuart.
This guide to virtually all coats of arms known to have been in use in the United States since the earliest colonial days refers to approximately 3,500 names associated with the arms and includes a description of the arms, the motto, and the source of information.
The publication of Portraits of John Quincy Adams and His Wife makes available a record which both affords unique visual documentation of the most varied political career in American history and exemplifies the work of the principal American portraitists from the days of Copley and Stuart to the dawn of the Daguerrean era. Included in the volume's 159 illustrations are all the known life portraits, busts, and silhouettes of John Quincy and Louisa Catherine Adams, along with important replicas, copies, engravings, and representative likenesses of their siblings. The book is organized into seven chapters which generally coincide with the major divisions of John Quincy Adams' political career. ...
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.