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People, Places and Piazzas
Charles Hodge Mackie, R.S.A., R.S.W. (1862-1920) was well-connected in artistic circles. In France, he met Gauguin, Vuillard and the Nabis; he was a close friend of E.A. Hornel; and he taught Laura Knight how to lay out her palette: some of the people by whom he was influenced and whom he, in turn, helped. In terms of places, his art and life are associated with a variety of locations, including Kirkcudbright, Staithes, Paris, Normandy, Italy, and Venice and its piazzas. In Edinburgh, where his studio was located, he made a significant contribution to the city's artistic and social life, as a founder member and chairman of the Society of Scottish Artists, as well as carrying out mural commissions for Patrick Geddes. He also worked in an impressive range of media: oils, watercolours, murals, woodblock prints, tooled leather and sculpture.
British and Irish Paintings in Public Collections
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
The Architecture of the Museum
From the Louvre to the Bilbao Guggenheim and Tate Modern, the museum has had a long-standing relationship with the city. Examination of the meaning of museum architecture in the urban environment, considering issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Ranging from the seventeenth century to the present day, case-studies are drawn from Europe, South America and Australia. Contributions written by J.Birksted, V.Fraser, H.Lewi, D.J.Meijers and others.
Edinburgh History of Scottish Literature: Enlightenment, Britain and Empire (1707-1918)
Between 1707 and 1918, Scotland underwent arguably the most dramatic upheavals in its political, economic and social history. The Union with England, industrialisation and Scotland's subsequent defining contributions throughout the eighteenth and nineteenth centuries to the culture of Britain and Empire are reflected in the transformative energies of Scottish literature and literary institutions in the period. New genres, new concerns and whole new areas of interest opened under the creative scrutiny of sceptical minds. This second volume of the History reveals the major contribution made by Scottish writers and Scottish writing to the shape of modernity in Britain, Europe and the world.
The Spectator
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The Oxford Handbook of Victorian Medievalism
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval d...
Catalogue
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Life, Times and Work of William Gillies, 1898-1973
For seventy years, William Gillies has been seen as a placid painter of landscape and decorative still life. Andrew McPherson explodes this view to reveal a modernist whose response to the instabilities and violence of modernity touched universals of human experience. Gillies' idiom was shaped by institutions for artistic production unique to Scotland. But it was the politics of Scotland's connections to the rest of the British Isles that produced his mythic and misleading reputation.New paintings and new meanings are uncovered placing the micro-effects of modernity on mental health, family and community in the wider contexts of war, nationalism and public patronage. McPherson also shows how this changing world led Gillies towards new applications of modernist expression. Lavishly illustrated, and referencing almost one thousand works, this major reappraisal is an indispensable source on the cultural politics of a four-nation state and the reception of moder nism in Britain.
Hand, Heart and Soul
Arts and Crafts artist-designers changed the lives of Scots. Through the furnishing of public buildings, exhibitions, church craft and home design, they aimed to restore beauty to everyday experience. They worked in diverse fields such as furniture, textiles, jewellery and metalwork, glass, ceramics, mural decoration and architectural design and crafts. Theirs is a narrative of close networks of families and friends, men and women, designers and industrialists dedicated to the rights of the individual and to the proper place of art within modern society. It is a remarkable and often inspiring story of ideals, commitment - and imagination. Scottish Arts and Crafts brought together British design practice with the romance of tradition. This book for the first time provides a national context for the work of Margaret Macdonald and Charles Rennie Mackintosh, Robert Lorimer, Phoebe Anna Traquair, and many new names that emerge from the shadows.
