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It is broadly accepted that “terrorizing” images are often instrumentalized in periods of conflict to serve political interests. This volume proposes that paying attention to how images of trauma and conflict are described in literary texts, i.e. to the rhetorical practice known as “ekphrasis”, is crucial to our understanding of how such images work. The volume’s contributors discuss verbal images of trauma and terror in literary texts both from a contemporary perspective and as historical artefacts in order to illuminate the many different functions of ekphrasis in literature. The articles in this volume reflect the vast developments in the field of trauma studies since the 1990s, a field that has recently broadened to include genres beyond the memoir and testimony and that lends itself well to new postcolonial, feminist, and multimedia approaches. By expanding the scholarly understanding of how images of trauma are described, interpreted, and acted out in literary texts, this collected volume makes a significant contribution to both trauma and memory studies, as well as more broadly to cultural studies.
To much of the world, North Korea is an impenetrable mystery, its inner workings unknown and its actions toward the outside unpredictable and frequently provocative. Tyranny of the Weak reveals for the first time the motivations, processes, and effects of North Korea’s foreign relations during the Cold War era. Drawing on extensive research in the archives of North Korea’s present and former communist allies, including the Soviet Union, China, and East Germany, Charles K. Armstrong tells in vivid detail how North Korea managed its alliances with fellow communist states, maintained a precarious independence in the Sino-Soviet split, attempted to reach out to the capitalist West and presen...
Yeats, Philosophy, and the Occult collects seven new essays on aspects of Yeats's thought and reading, from ancient and modern philosophy and cosmological doctrines, mysticism and esoteric thought.
Presenting a succinct, historically informed introduction to North and South Korea, the second edition of The Koreas considers the radically different ways these countries have dealt with the growing challenges of globalization. Since the first edition’s publication, the economic, political, and social differences have only intensified, making evident the relevancy and importance of Armstrong’s work, in understanding the Koreas now and in the future. Ultimately, The Koreas is a crisp, engaging primer of Korea and the Korean people in the contemporary world. This book is ideal for many courses in a variety of disciplines, including politics, history, international business, and Asian studies.
Collected critical essays examine contemporary poetry in terms of cultural geography. Key themes are place and identity; literary cartographies; walking as trope and spatial practice; the poetics of edges, margins, and peripheries; landscape, language, and form.
This collection of essays explores the remarkable range and cultural significance of the engagement with ‘infancy’ during the Romantic period. Taking its point of departure in the commonplace claim that the Romantics invented childhood, the book traces that engagement across national boundaries, in the visual arts, in works of educational theory and natural philosophy, and in both fiction and non-fiction written for children. Essays authored by scholars from a range of national and disciplinary backgrounds reveal how Romantic-period representations of and for children constitute sites of complex discursive interaction, where ostensibly unrelated areas of enquiry are brought together through common tropes and topoi associated with infancy. Broadly new-historicist in approach, but drawing also on influential theoretical descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, the collection also seeks to rethink the idea of a clear-cut dichotomy between Enlightenment and Romantic conceptions of infancy.
Since this book was first published a large amount of new material on the king and his reign has emerged. This book contains a new preface which takes account of the new work.
Literature is an institution per se, as is justice, and these two institutions enact each other in complex ways. Justice appears in many forms from divine right and religious ordainment to metaphysical imperative and natural law, to national jurisdiction, social order, human rights, and civil disobedience. What is just and right has varied in time and place, in war and peace. A sense of justice appears inextricable from human concerns of ethics and morals. Literature includes a vast range of writing from holy texts to banned books. Parts of literature, particularly in the past, have laid down the law. In more recent history, literature has gradually assumed radical roles of critique, subversion, and transformation of the existing law and order, in contents, themes, language, and form. Literature’s Critique, Subversion, and Transformation of Justice offers a selection of research that examines how various types of literature and arts give shape and significance to ideas of justice in various fields.