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This book project traces the thought of several Roman Catholic Modernists (and one especially virulent anti-Modernist) as they confronted the intellectual challenges posed by the Great war from war from 1895 to 1907.
In his autobiography Joseph Turmel (1859-1943) has left an intensely personal account of his struggles to reconcile his Catholic faith with the results of historical-critical methods as those impacted biblical exegesis and the history of dogma. Having lost his faith in 1886, he chose to remain as a priest in the Church, even while he worked to undermine its teachings. He did so initially in writings published under his own name and, as his conclusions became increasingly radical, under a veritable team of pseudonyms. He was excommunicated in 1930. His account of his life is less a discussion and defense of his ideas than it is a moral justification of his conduct. Turmel is associated with the left wing of Roman Catholic Modernism along with Albert Houtin, Marcel Hebert, and Felix Sartiaux
By the time of his death in 1933 Henri Bremond, priest and member of the elite Academie francaise, had established himself in France, and increasingly in England and the United States, as a distinguished historian of Christian spirituality and as a Catholic modernist who helped to shake the church out of its dogmatic slumbers by embracing "pure love," artistic-poetic expression, and mystical prayer as the privileged manifestations of spiritual truth. Drawing on substantial new scholarship in France, that has resuscitated and reinterpreted Bremond's work for our own times, and that sees Bremond as an important precursor of current trends in literary interpretation as well as spirituality, Gorday surveys the entirety of Bremond's corpus of writing, setting his work in its context of his personal struggles, as well as the wider setting of French historical and cultural development.
The Prophetic Church: History and Doctrinal Development in John Henry Newman and Yves Congar is a historical and a systematic account of tradition, doctrinal development, and the theology of history, with a particular focus on the contributions of two modern Catholic figures, John Henry Newman (1801-1890) and Yves Congar (1904-1995). It is structured around two overarching themes: the "subject" and "history" in their relationship to doctrinal development. In addition, the thought of both Congar and Newman is interwoven throughout. Andrew Meszaros contextualizes and surveys Congar's reception of Newman. He explains the appeal of Newman and provides concrete evidence that would substantiate th...
This collection of essays provides a small revolution in the study of Roman Catholic Modernism, a movement that until now has been largely seen as an episode that underscored institutional Catholicism's isolation from the mainstream intellectual currents of the time.
Today many books appear regarding Vatican II. Yet, only very few of them manage to locate this crucial event in the life of the twentieth century Roman Catholic Church against the broad horizon of both its prehistory and its aftermath. This book does just that. In seven chapters, this volume offers a survey of the evolution of Post-Enlightenment Catholicism, in the period spanning from ca. 1830 to the present, tying together the renewals proposed by the first and the Second Vatican Councils. Each phase in this evolution is discussed from a double angle: on the hand from the viewpoint of theological developments and milieu’s, and on the other hand from an institutional and Church historical perspective, thus binding together these two perspectives and tracing the evolutions within Catholicism in all their pluriformity.
Interdisciplinary and ecumenical in scope, Poetry and Prayer offers theoretical discussion on the profound connection between poetic inspiration and prayer as well as reflection on the work of individual writers and the traditions within which they stand. An international range of established and new scholars in literary studies and theology offer unique contributions to the neglected study of poetry in relation to prayer. Part I addresses the relationship of prayer and poetry. Parts II and III consider these and related ideas from the point of view of their implementation in a range of different authors and traditions, offering case studies from, for example, the Bible, Dante, Shakespeare and Herbert, as well as twentieth-century poets such as Thomas Merton, Denise Levertov, W.H. Auden and R.S. Thomas.
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