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Annual Report - National Endowment for the Humanities
Includes appendices.
Shelley's Living Artistry
This study of the poetry and drama of Percy Bysshe Shelley reads the letters and their biographical contexts to shed light on the poetry, tracing the ambiguous and shifting relationship between the poet's art and life. For Shelley, both life and art are transfigured by their relationship with one another where the 'poet participates in the eternal, the infinite, and the one' but is equally bound up with and formed by the society in which he lives and the past that he inherits. Callaghan shows that the distinctiveness of Shelley's work comes to rest on its wrong-footing of any neat division of life and art. The dazzling intensity of Shelley's poetry and drama lies in its refusal to separate the twain as Shelley explores and finally explodes the boundaries between what is personal and what is poetic. Arguing that the critic, like the artist, cannot ignore the conditions of the poet's life, Callaghan reveals how Shelley's artistry reconfigures and redraws the actual in his poetry. The book shows how Shelley's poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against life, and poetry as a record of the emotional life of the poet.
Humanities
None
July Meeting, 1966
None
Keats and Shelley
Keats and Shelley: Winds of Light combines unrivalled textual knowledge, biographical and contextual expertise, and profoundly insightful close readings of the poetry in a selection of outstanding essays from a leading critic of English Romantic Poetry. Some of the essays have been previously published and are established as classic studies, which have strongly influenced scholarly interpretation of the poems they discuss, including landmark readings of Shelley's Prometheus Unbound, 'Julian and Maddalo' and 'Ozymandias', and Keats's 'Isabella: or the Pot of Basil' and his sonnet 'On First Looking into Chapman's Homer'. These are brought into relationship with new work on the two poets, in a ...
The Notting Hill Mystery
Source documents compiled by insurance investigator Ralph Henderson are used to build a case against Baron "R___", who is suspected of murdering his wife. The baron's wife died from drinking a bottle of acid, apparently while sleepwalking in her husband's private laboratory. Henderson's suspicions are raised when he learns that the baron recently had purchased five life insurance policies for his wife. As Henderson investigates the case, he discovers not one but three murders. Although the baron's guilt is clear to the reader even from the outset, how he did it remains a mystery. Eventually this is revealed, but how to catch him becomes the final challenge; he seems to have committed the perfect crime.
