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The Life & Letters of Sir George Grove, Hon. D.C.L. (Durham), Hon. LL.D. (Glasgow), Formerly Director of the Royal College of Music; By Charles L. Gra
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lauds and libels
Lauds and libels by Charles L. Graves is a collection of poems and apostrophes to fellow writers, playwrights, and novelists. Contents: "Piccadilly, To "Martin Ross", To Stephen Leacock, To "Bartimeus," On Re-reading "Barchester Towers," "Bleak House," Lines on a New History, To my Godson, The House-Master, The Old Matron, Constable Jinks, 'Twas Fifty Years Ago, New Men and Old Studies."
The Yellow Danger
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The Life & Letters of Sir George Grove, Hon. D.C.L. (Durham), Hon. LL.D. (Glasgow), Formerly Director of the Royal College of Music; By Charles L. Graves - Scholar's Choice Edition
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The academy
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Robert Graves
Robert Graves (1895-1985) was one of the greatest poets and polymaths of the twentieth century, whose long life matched the intensity of his imaginative output. From his distinguished exploits in the First World War, described in his memoir GOODBYE TO ALL THAT, to his dramatic relationships with women, most notably the American poet and essayist Laura Riding, his life was one of extremes: he sought pain, took huge emotional risks, and lived as if each day were his last. First published to mark the centenary of his birth, Miranda Seymour's acclaimed biography was written with the full co-operation of the Graves family. Her interviews and correspondence with many people who have not previously discussed Graves in public contribute to a rich and complex portrait of a troubled man and a great creative artist. "I have never been able to understand the contention that a poet's life is irrelevant to his work," Graves said. Miranda Seymour puts Graves's statement to the test in this superb biography and, thrillingly, demonstrates its validity.
A Voice in the Wilderness
Why understanding evolution—the most reviled branch of science—can help us all, from fighting pandemics to undoing racism Evolutionary science has long been regarded as conservative, a tool for enforcing regressive ideas, particularly about race and gender. But in A Voice in the Wilderness, evolutionary biologist Joseph L. Graves Jr.—once styled as the “Black Darwin”—argues that his field is essential to social justice. He shows, for example, why biological races do not exist. He dismantles recent work in “human biodiversity” seeking genes to explain the achievements of different ethnic groups. He decimates homophobia, sexism, and classism as well. As a pioneering Black biologist, a leftist, and a Christian, Graves uses his personal story—his journey from a child of Jim Crow to a major researcher and leader of his peers—to rewrite his field. A Voice in the Wilderness is a powerful work of scientific anti-racism and a moving account of a trailblazing life.
Mr. Punch's History of the Great War
Reproduction of the original: Mr. Punch's History of the Great War by Charles L. Graves
