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A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information o...
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Many diseases discussed here--endstage renal disease, rheumatic fever, parasitic infectious diseases, coronary thrombosis--came to be defined, redefined, and renamed over the course of several centuries. As these essays show, the concept of disease has also been used to frame culturally resonant behaviors: suicide, homosexuality, anorexia nervosa, chronic fatigue syndrome. Disease is also framed by public policy, as the cases of industrial disability and of forensic psychiatry demonstrate. Medical institutions, as managers of people with disease, come to have vested interests in diagnoses, as the histories of facilities to treat tuberculosis or epilepsy reveal. Ultimately, the existence and conquest of disease serves to frame a society's sense of its own "healthiness" and to give direction to social reforms.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
At a time when clinical care and biomedical research generate as much angst as they offer cures, this volume provides valuable insight into how the practice of medicine has evolved, where it is going, and how lessons from history can improve its prognosis.--Thomas S. Huddle, M.D., Ph.D. "Journal of the History of Medicine"
Immanuel Tremellius (c.1510-1580) was one of the most distinguished scholars of the Reformation era. Following his conversion to Christianity from Judaism, he rose to prominence in the mid-sixteenth century as a professor of Hebrew and Old Testament studies, teaching in numerous highly prestigious Reformed academies and universities across northern Europe. Through his activities in the classroom, and his connections with many of the leading religious and political figures of the age, he had a significant impact on the world around him; but through his published writings, some of which were printed through until the eighteenth century, his influence extended long beyond his death. This study ...
An inventive historical thriller that reimagines the tumultuous presidential election of 1860, capturing the people desperately trying to hold the nation together—and those trying to crack it apart. Abby Kelley Foster arrived in Springfield, Illinois, with the fate of the nation on her mind. Her fame as an abolitionist speaker had spread west and she knew that her first speech in the city would make headlines. One of the residents reading those headlines would be none other than the likely next president of the United States. Abraham Lincoln, lawyer and presidential candidate, knew his chances of winning were good. All he had to do was stay above the fray of the slavery debate and appear t...
The Italian Renaissance was a period of intense cultural transformations when the ancient world was being rediscovered and a New World had been literally discovered. Between the thirteenth and the seventeenth centuries, traditional beliefs were being challenged as people across the Italian Peninsula explored new ways of thinking about religion, politics, and society and introduced startling innovations in the arts. This book contains more than hundred selections of primary sources—the historian’s raw material in the form of memoirs, letters, treatises, sermons, stories, poems, drawings, paintings, and sculpture. Here are eyewitness accounts of cold-blooded murders, lavish court pageants,...
Jacob Burckhardt claimed that the state in Renaissance Italy became a work of art. In this book, the authors illiminate the corollary: that art in Italy became a work of state. They study centres of power under three distinctive governments - a civic republic of the 14th century, a princely court of the 15th, and an absolutist state of the 16th. The authors argue that, no less than armies, laws and taxes, painted halls of state were strategic instruments, tactical weapons and technical machines of government.
Today more than ever literature and the other arts make use of urban structures – it is in the city that the global and universal joins the local and individual. Babylon or New Jerusalem? Perceptions of the City in Literature draws a map of the concept of the city in literature and represents the major issues involved. Contributions to the volume revisit cities such as the London of Wordsworth, Dorothy Richardson and Virginia Woolf or Rilke’s Paris, but also travel to the politics of power in Renaissance theatre at Ferrara and to deliberate urban erasures in post-apartheid South Africa. The texts represented range from Renaissance plays to contemporary novels and to poetry from various p...