Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Charles Ray: Figure Ground
This incisive publication explores the formal, conceptual, political, and technical aspects of the work of contemporary American artist Charles Ray. For Charles Ray (born 1953), sculpture is a way of thinking that informs his work across a wide range of media-from gelatin silver prints to porcelain, fiberglass, wood, and steel. Spanning the whole of his fifty-year career, Charles Ray: Figure Ground considers the artist's intriguing, often unsettling sculptures from both the twentieth and twenty-first centuries in relation to his early photographs and performances. It also explores his interest in Mark Twain's 1884 novel Adventures of Huckleberry Finn. Kelly Baum addresses patterns and patterning in Ray's art, foregrounding his engagement with preexisting traditions, classicism among them, as well as charged issues around race, gender, and sexuality. Brinda Kumar investigates the modalities of touch that run through Ray's work, while a reflection by Ray himself and a conversation between the artist and Hal Foster offer further insights into his multifaceted practice.
Charles Ray
None
Charles Ray
None
Charles Ray
None
Charles Ray
In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of--and respect for--the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist's meticulous fabrication process. It also includes a conversation with--and text by--the artist and installation photography.
Charles Ray
None
The World of Charles and Ray Eames
Charles (1907-1978) and Ray (1912-1988) Eames are among the most important designers of the 20th century, and the story of the Eames Office is that of visual and material culture in the post-war, modern period. The World of Charles and Ray Eames charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. This definitive monograph explores the era-defining work of the Eames Office, a 'laboratory' active for over four decades, where the Eameses and their collaborators produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photo...
Charles Ray: Volume III
The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to the handmade paper used to realize a recent self-portrait, Return to the One (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.
Young Man
This volume documents the stages of work and materials used to realize Charles Ray's "Young Man" (2012), a 1,500-pound sculpture in solid stainless steel. Printed on unbound pages, this publication shows the development of Ray's sculpture alongside a set of life-size details that can be reconfigured into two full-scale photographs of the work.
Charles Ray
Charles Ray (*1953 in Chicago) is widely regarded as one of the preeminent sculptors of our time. Like Katharina Fritsch and Jeff Koons, Ray strives toward three-dimensional figuration, which is evident in the white-painted steel sculpture Boy with Frog, 2009 - a work that was installed on the Punta della Dogana in Venice, where it was a major attraction. This catalogue has been publisched on the occasion of the exhibition «Charles Ray : Sculpture, 1997-2014» at the Kunstmuseum Basel and the Art Institute of Chicago and provides an overview of the major sculptures Ray has created since 1997, including several previously unpublisched works. These works are examined in detail in essays by Michael Fried, Richard Neer, James Rondeau, and Anne M. Wagner.
