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Charles Scribner, Jr.’s thoughts and essays on publishing, his fascinating career, and the love of ideas. A must-read for anyone interested in the history of publishing.
It was “the golden age” of American literature. Max Perkins edited Hemingway and Fitzgerald, royalties were still calculated by hand, and business was usually based on personal ties between publisher and author. It was into this world that Charles Scribner, Jr. was born, his career predetermined at the time of his christening. He grew up in publishing and cut his editorial teeth on giants like Edmund Wilson, C.P. Snow, P.D. James and Charles Lindbergh. But towering above them all was Ernest Hemingway, whose friendship Scribner recalls with affection. “An elegant memoir of a publishing prince’s lifelong devotion to great books.” —A.Scott Berg
Angus, a young sea monster, is blown off course by an ocean storm and becomes trapped in a Scottish loch, where he is discovered by Fiona and her dog James.
The business of making an American literary icon The Lousy Racket is a thorough examination of Ernest Hemingway's working relationship with his American publisher, Charles Scribner's Sons, and with his editors there: Maxwell Perkins, Wallace Meyer, and Charles Scribner III. This first critical study of Hemingway's professional collaboration with Scribners also details the editing, promotion, and sales of the books he published with the firm from 1926 to 1952 and provides a fascinating look into the American publishing industry in the early twentieth century. This painstakingly researched study reveals the working relationship between Hemingway and his editors, with special emphasis on the fr...
Is the human species becoming dehumanized by the condition of his environment? So Human an Animal is an attempt to address this broad concern, and explain why so little is being done to address this issue. The book sounds both an urgent warning, and offers important policy insights into how this trend toward dehumanization can be halted and finally reversed.
Scribners tells the inside story of five generations—over 150 years—at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York, continuing through its golden era on Fifth Avenue above the famous landmark bookstore and down to the present day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view—"between the covers" of illustrious and notorious books—of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story, we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edi...
George S. Counts was amajor figure in American education for almost fifty years. Republication of this early (1932) work draws special attention to Counts's role as a social and political activist. Three particular themes make the book noteworthy because of their importance in Counts's plan for change as well as for their continuing contemporary importance: (1)Counts's criticism of child-centered progressives; (2)the role Counts assigns to teachers in achieving educational and social reform; and (3) Counts's idea for the reform of the American economy.
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To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”
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