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Berlin
  • Language: en
  • Pages: 296

Berlin

  • Type: Book
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  • Published: 1991-02-06
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  • Publisher: Unknown

Berlin: Culture and Metropolis was first published in 1991.Berlin's recent history is uniquely representative of the major upheavals of the modern era. The city has been a capital under imperialist, democratic, fascist, and communist regimes; it has been devastated by war and has witnessed two revolutions. These changes often have come rapidly, drastically, and unexpectedly.Berlin: Culture and Metropolis includes essays on literature, poetry, film, cabaret, and the visual arts that illustrate how the relationship between the city and its inhabitants has been repeatedly renegotiated with each generation. Scholars in art history, film studies, literature, history, and sociology cover the period from the turn of the century to the present, writing on such topics as twentieth century cabaret, the celebration of the city's 750th anniversary, and the cultural contributions of Ernst Ludwig Kirchner, George Grosz, Alfred Döblin, Siegfried Kracauer, and Christa Wolf. These essays reveal the often uneasy relationships between twentieth-century Berlin and the culture these changes have produced.

A Mythology of Forms
  • Language: en
  • Pages: 423

A Mythology of Forms

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

"This book collects fourteen essays by the woefully understudied Carl Einstein, translated here from the German. Einstein was a major critic in the early twentieth century. He was a large presence in Paris when it was the crucible of the modernist avant-garde. He was one of the earliest thinkers to take Cubism seriously. He was an architect of formalism and perhaps the first critic to produce a substantial text on African art and its relationship to modernism that rejected Sub-Saharan African cultures as "primitive." And, his views on repetition and mechanical reproduction are in direct opposition to those of Walter Benjamin. Charles Haxthausen identified and translated these fourteen essential texts and has provided critical introductions to each one as well as a longer introduction to Einstein's life, work, and contribution to the intellectual culture of the 20th century"--

Paul Klee
  • Language: en

Paul Klee

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

The Two Art Histories
  • Language: en
  • Pages: 195

The Two Art Histories

  • Categories: Art

Many museum professionals today believe that university-based art history focuses too much on theory and the social agency of art, neglecting the aesthetic dimensions of the art object. Conversely, many academics feel that museums have become preoccupied with the quest for money and audiences, making them an increasingly unlikely source of innovative scholarship. In this provocative book, seventeen eminent figures from both sides of the art world--museum professionals and university scholars--explore the questions underlying the often tense relationship between the two main branches of the discipline.

The prints of Erich Heckel
  • Language: en
  • Pages: 22

The prints of Erich Heckel

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

None

Lens paintings
  • Language: de
  • Pages: 164

Lens paintings

  • Categories: Art
  • Type: Book
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  • Published: 2008
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  • Publisher: Dumont

Features 30 new paintings by Polke, published here for the first time, and provides an insight into his innovative technique.

Berlin
  • Language: en
  • Pages: 291

Berlin

Essays discuss how Berlin and its culture have been portrayed in literature, poetry, film, cabaret, and the visual arts

Musical Influences on the Art of Paul Klee
  • Language: en
  • Pages: 156

Musical Influences on the Art of Paul Klee

  • Type: Book
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  • Published: 1966
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  • Publisher: Unknown

None

Modern German Masterpieces. [Illustr.]
  • Language: en
  • Pages: 62

Modern German Masterpieces. [Illustr.]

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

None

Arakawa: Diagrams for the Imagination
  • Language: en

Arakawa: Diagrams for the Imagination

  • Categories: Art

A revealing look at Arakawa's unique achievements in painting and works on paper. A handful of years after he arrived in New York from Tokyo as a young Neo-Dada sculptor, Arakawa began producing two-dimensional works that brought together text and schematic images. These "diagram paintings," begun in the mid-1960s, offered elusive combinations of signs and shapes with words and phrases. With these paintings, he sought to stimulate the formation of mental images by the viewer--and for the viewer to engage both mind and eye in the act of perception. Arakawa would continue this investigation of human consciousness through diagrammatic works on paper and canvas over the following two decades. He used a variety of materials and created works ranging from modest-sized drawings to vast paintings on multiple panels. This striking volume takes a close look at this crucial period in Arakawa's art, prior to his return to three dimensions. Numerous illustrations, a new essay by Charles W. Haxthausen, and a historical text by Italo Calvino reveal an artist with a committed focus on our awareness of our bodies in the act of perceiving.