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A History of the War, the Middle Ages From the Fourth to the Fourteenth Century
In this classic work of military history, Charles William Chadwick Oman offers a detailed and nuanced exploration of the thousand-year period known as the Middle Ages. Focusing on the military conflicts and strategies that shaped European history, Oman provides a rich and insightful account of this fascinating epoch. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of War in the Middle Ages
The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. Contents: The Transition from Roman to Mediæval Forms in War - A.D. 378–582. The Early Middle Ages - A.D. 476–1066–81. The Byzantines and their Enemies - A.D. 582–1071. The Supremacy of Feudal Cavalry - A.D. 1066–1346. The Swiss - A.D. 1315–1515. The English and their Enemies - A.D. 1272–1485.
Wellington’s Army 1809-1814 [Illustrated Edition]
Includes over 100 maps of the actions, engagements and battles of the entire Peninsular War. Whilst writing his magisterial The History of The Peninsular War, Sir Charles Oman gathered material that was to become Wellington’s Army. Into Wellington’s Army he gathered, as he says in his Preface, “much miscellaneous information which does not bear upon the actual chronicle of events in the various campaigns that lie between 1808 and 1814, but yet possesses high interest in itself, and throws many a side-light on the general course of the war ... these notes relate either to the personal characteristics of that famous old army of Wellington, which, as he himself said, ‘could go anywhere ...
Studies In The Napoleonic Wars
“These fascinating and valuable studies supplement Sir Charles Oman’s major works about the Napoleonic Wars —Wellington’s Army and the majestic seven-volume History of the Peninsular War. The subjects of study range widely and interestingly. They include a discussion of the views of historians from the time of Herodotus to the nineteenth century, and an account of the Secret Service which, as the author says in his Preface, illustrates “the underworld of political and military intrigue which escapes notice in general histories”. Here, too, are Oman’s seminal reflections on “Column and Line in the Peninsula”. Along with his study of the Battle of Maida, also included in the ...
The Byzantine Empire
Reproduction of the original: The Byzantine Empire by Charles William Chadwick Oman
Revival: The Sixteenth Century (1936)
Often some one precious detail of war lurks in the middle of a book of the most unlikely description. After turning over tens of thousands of leaves in Latin, French, Italian, German, English, Spanish and Dutch print, one is left with an accumulation of observed phenomena - religious, cultural, literary, psychological - which the mind is forced to coordinate into some sort of general conclusions. As the author has stated in some of the pages which follow this preface, the author is profoundly averse to formulating 'philosophies of history', and though the author feels impelled to put in order the impression which much reading and pondering have left with me, the author does not pretend to link these impressions into any theory of evolution. There are as many 'ifs' in history as 'therefores'.
