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Pharais
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The Life and Letters of William Sharp and "Fiona Macleod". Volume 1: 1855-1894
William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume co...
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Atalanta in Calydon
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The Good Sharps
The enthralling story of an eighteenth-century family and their extraordinary achievements. Four brothers, three sisters. Brought up in a Northumberland rectory and in the close of Durham Cathedral, the Sharps would achieve exalted positions at the heart of British society. In 1781, the celebrated painter Johan Zoffany put the final brush strokes on the luminous portrait that immortalised the siblings’ rise, and their remarkable unity and passion for life. Ambitious, free-thinking and courageous, the Sharps were pioneers in the major movements that defined the eighteenth century – from political reform and philanthropy to medicine and industry. John, an eminent priest, established a mode...
