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Charley¿s Woods is the deeply disturbing autobiography of Charles Duff, adopted child of a flagrantly homo-sexual aristo who, dynastically needing a son, married an equally aristocratic, and progessively flagrant, lesbian. These `parents¿ teased, if that¿s the word, the child that his real father was one of a string of famous people. After the inevitable divorce, Duff lived with his mother and her girlfriends and his father turned vitriolically against him. That the author manages to find humour in so tragic an upbringing, and to discover and embrace his birth family, gives new meaning to pathos.
In Six Walks in the Fictional Woods Umberto Eco shares with us his Secret Life as a reader—his love for MAD magazine, for Scarlett O'Hara, for the nineteenth-century French novelist Nerval's Sylvie, for Little Red Riding Hood, Agatha Christie, Agent 007 and all his ladies. We see, hear, and feel Umberto Eco, the passionate reader who has gotten lost over and over again in the woods, loved it, and come back to tell the tale, The Tale of Tales. Eco tells us how fiction works, and he also tells us why we love fiction so much. This is no deconstructionist ripping the veil off the Wizard of Oz to reveal his paltry tricks, but the Wizard of Art himself inviting us to join him up at his level, the Sorcerer inviting us to become his apprentice.
An unrepentant true crime memoir about the life of a man who sold and used cocaine daily for thirty-eight years. A man with over fifty years fifty years of involvement with illegal drugs starting at the age of thirteen. Offering a fair and balanced account of how drugs and drug dealing affected his life, those closest to him as well as the lives of others. This is a different kind of drug dealer story. The kind you don't hear. The kind they don't want told.
The monster fish sighted in Watauga and Boone Lakes, the so-called Wampas Cat, and a witchy horse that found a little lost girl wandering on Embreeville Mountain—these are but a few of the stories retold in this book of East Tennessee tales. Other stories include the Cherokee legends of creation and fire, a witch who drove people mad, a personal account of a miraculous cure, lost civilizations in the middle of Cherokee National Forest, and a host of death and burial superstitions.
In The Black Regulars, 1866-1898, the authors shed new light on the military justice system, relations between black troops and their mostly white civilian neighbors, their professional reputations, and what veterans faced when they left the army for civilian life.
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