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'These days, watching television is like sitting in the back of Travis Bickle's taxicab, staring through the window at a world of relentless, churning shod ... ' Cruel, acerbic, impassioned, gleeful, frequently outrageous and always hilarious, Charlie Brooker's Screen Burn collects the best of the much-loved Guardian Guide columns into one easy-to-read-on-the-toilet package. Sit back and roar as Brooker rips mercilessly into Simon Cowell, Big Brother, Trinny and Susannah, Casualty, Davina McCall, Michael Parkinson ... and almost everything elso on television. This book will make practically anyone laugh out loud.
Would you like to eat whatever you want and still lose weight? Who wouldn't? Keep dreaming, imbecile. In the meantime, if you'd like to read something that alternates between laugh-out-loud-funny and apocalyptically angry, keep holding this book. Steal it if necessary. In his latest collection of rants, raves, hastily spluttered articles and scarcely literate scrawl, Charlie Brooker proves that there is almost nothing in this universe, big or small, that can't reduce a human being to a state of pure blind hatred. It won't help you lose weight, feel smarter, sleep more soundly, or feel happier about yourself. It WILL provide you with literally hours of distraction and merriment. It can also be used to stun an intruder, if you hit him with it correctly (hint: strike hard, using the spine, on the bridge of the nose). ONLY A PRICK WOULDN'T BUY THIS BOOK. DON'T BE THAT PRICK.
‘Black Mirror is hands down the most relevant program of our time, if for no other reason than how often it can make you wonder if we’re all living in an episode of it.’ – New York Times What becomes of humanity when it’s fed into the jaws of a hungry new digital machine? Discover the world of Black Mirror in this immersive, illustrated, oral history. This first official book logs the entire Black Mirror journey, from its origins in creator Charlie Brooker’s mind to its current status as one of the biggest cult TV shows to emerge from the UK. Alongside a collection of astonishing behind-the-scenes imagery and ephemera, Brooker and producer Annabel Jones will detail the creative genesis, inspiration and thought process behind each film for the first time, while key actors, directors and other creative talents relive their own involvement. ‘Brooker continues to solidify himself as one of the most creative writers in the medium. Even when the unfair creep of expectations rears up, Black Mirror and Brooker deliver.’ – The Hollywood Reporter ‘Black Mirror: the future is already here, and it's terrifying’ - Telegraph
Brooker on the BNP Party Political Broadcast: 'Nick Griffin's first line is "Don't turn it off!", which in terms of opening gambits is about as enticing as hearing someone shout "Try not to be sick!" immediately prior to intercourse.' Brooker on Philip from The Apprentice: 'If it were legal or even possible to do so, he'd probably marry himself, then conduct a long-term affair with himself behind himself's back, eventually fathering nine children with himself, all of whom would walk and talk like him. And then he'd lock those mini-hims in a secret underground dungeon to have his sick way with his selves, undetected, for decades.' Brooker on Royal Ascot: 'Every year it's the same thing: a 200-year-old countess you've never heard of, who closely resembles a Cruella De Vil mannequin assembled entirely from heavily wrinkled scrotal tissue that's been soaked in tea for the past eight decades, attempts to draw attention away from her sagging neck - a droopy curtain of skin that hangs so low she has to repeatedly kick it out of her path as she crosses the royal compound - by balancing the millinery equivalent of Bilbao's Guggenheim museum on her head.'
Polite, pensive, mature, reserved ...Charlie Brooker is none of these things and less. Picking up where his hilarious Screen Burn left off, Dawn of the Dumb collects the best of Charlie Brooker's recent TV writing, together with uproarious spleen-venting diatribes on a range of non-televisual subjects - tackling everything from David Cameron to human hair. Rude, unhinged, outrageous, and above all funny, Dawn of the Dumb is essential reading for anyone with a brain and a spinal cord. And hands for turning the pages.
Tomorrow's outmoded artefacts today. From the makers of TV Go Home comes a comic spoof of the consumer-product catalogues that arrive like an unwanted rash from newpapers and magazines. Modelled on those catalogues that are so welcome as they spill unwanted from your weekend newspapers in a magfall of bizarre information, this is a celebration of triumphantly useless and inappropriate consumer choices. Illustrated throughout in the shape and style of catalogues that offer you the chance to buy machines that stamp your initials onto golf balls or allow you to warm you slippers electronically before putting them on. An array of toys, gadgets, handy-helps and objects the like of which haven't been seen since Inquisitional torture went out of fashion: it's a modern vision of a consumer paradise gone very weird indeed.
TV Go Home (http: //www.tvgohome.com) is Britain's most infamous comedy magazine - a cult spoof of both television and TV listings magazines such as the Radio Times. Its humour attracts over 150,000 readers a month - an audience that is constantly growing. This book is that website - multiplied by eight and presented in a handy, portable paper-and-inkward edition
This erudite volume examines the moral universe of the hit Netflix show Black Mirror. It brings together scholars in media studies, cultural studies, anthropology, literature, philosophy, psychology, theatre and game studies to analyse the significance and reverberations of Charlie Brooker’s dystopian universe with our present-day technologically mediated life world. Brooker’s ground-breaking Black Mirror anthology generates often disturbing and sometimes amusing future imaginaries of the dark side of ubiquitous screen life, as it unleashes the power of the uncanny. This book takes the psychoanalytic idea of the uncanny into a moral framework befitting Black Mirror’s dystopian visions. The volume suggests that the Black Mirror anthology doesn’t just make the viewer feel, on the surface, a strange recognition of closeness to some of its dystopian scenarios, but also makes us realise how very fragile, wavering, fractured, and uncertain is the human moral compass.
Richard Littlejohn's cast of characters including Two Jags, the Wicked Witch, Captain Hook and the Mad Mullah of the Traffic Taliban are now part of the fabric of the nation. He ridicules the country Britain has become over the past ten years - the barmy bureaucracy, the surveillance state, the petty interference in our lives, the suffocating regulations, policemen and judges who think they're part of the social services and the insanities of the 'elf 'n' safety industry, which has created such idiocies as forcing revellers celebrating Guy Fawkes Night to watch a bonfire on a big screen. 'Littlejohn has been ... a vivid exponent of a great British columnar style that stretches back five centuries or more. He's a distant, bastard cousin of Thomas Nash, Daniel Defoe and Alexander Pope. Cassandra and Bernard Levin might justly buy him a pint in the Cheshire Cheese. Like or loathe him, he's the real, talented deal.' Observer
***AVAILABLE TO PRE-ORDER NOW*** Edited by Charlie Brooker, the creator of the hit Netflix original series BLACK MIRROR, this book takes the very essence of the globally-acclaimed cult TV show to create new, original, darkly satirical stories that tap into our collective unease about the modern world. This is BLACK MIRROR in book form - allowed to roam through the imaginations of some of the leading names in contemporary fiction. This collection will challenge you to see the world in a different - and more disturbing - light. You have been warned...