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New Orleans and the Creation of Transatlantic Opera, 1819–1859
A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process o...
Haunted Medina County, Ohio
The dreadful howls of coyotes are common in the shadows surrounding Medina County, but perhaps something else, something entirely more fearsome, lurks in the night. In 1906, the specter now known as the Woman in Black so terrified residents in Medina Square that a curfew was imposed. Restless spirits, rattling chains, and nefarious deeds are rumored to have occurred in a farmhouse in Sharon Township. Legend has it that about 100 years ago a witch preyed on the residents of Liverpool Township, and the ghost of a teenage boy is said to haunt the men's restroom at Plum Creek Park in Brunswick Hills. Join parapsychologist Brandon Massullo as he sheds light on the ghostly lore surrounding Medina County's restaurants, libraries, freeways, parks, and more.
Crackodile
Everyone's a snack when a croc's on crack! When a Nile crocodile is stolen from an animal hospital by a pair of black market smugglers, little do they know their luck is about to turn for the worse when they accidentally wreck their transport van into a car of drug dealers carrying a synthetically-altered street drug. What happens next is hell on earth when the croc ingests the dangerous drug, becoming an unstoppable killing machine hellbent on devouring everything in its path, including the residents of a nearby campground and trailer park in search for food and more of the super addictive orange colored crack. Warning: this book contains language and literary depictions of scenes some readers may find offensive. It is not intended for children. Reader discretion is advised.
Crackcoon
When a synthetically altered street drug is discarded in the woods by a drug dealer during a car chase with police, the fallout proves nothing less than horrific when an innocent raccoon eats it, transforming it into a nightmarish killing machine straight from the bowels of hell. With unsuspecting campers, tourists, and residents of a mountain community all in close proximity to the epicenter, no one is safe from the monster's unrelenting rampage. Warning: this book contains language and literary depictions of scenes some readers may find offensive. It is not intended for children. Reader discretion is advised.
New Orleans and the Creation of Transatlantic Opera
A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process o...
Carmen Abroad
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
Italian Opera in Global and Transnational Perspective
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
America in the French Imaginary, 1789-1914
Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adap...
