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In the last century, photography was always novel. Now, it feels like our world is over-saturated with images. In the 21st century, what can photography do that is new? This extensively illustrated survey answers that question, presenting fifty photographers from around the world who are defining photography today. Their styles, formats, and interpretations of the medium vary widely, but in each case, the work featured in this book represents photography doing what it has always done best: finding new ways to tell stories, and new stories to tell. Artists featured include Nan Goldin, Wolfgang Tillmans, Hassan Hajjaj, Andreas Gursky, Juno Calypso, Ryan McGinley, Zanele Muholi, Shirin Neshat, Catherine Opie, Martin Parr, Cindy Sherman, Hiroshi Sugimoto and Juergen Teller.
Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into ...
- The first monograph on the work of the pioneering art collective- A must for anyone with an interest in contemporary art and design, street art, or Middle Eastern cultureOver the last two decades Broken Fingaz have won international acclaim, emerging as one of the most dynamic and popular street artists working today.Emerging from the graffiti scene in Israel in the early 2000s, Broken Fingaz amassed a huge cult following internationally, appreciated for their "colourful and controversial (BBC) art. Broken Fingaz's instantly recognisable aesthetic blends high and low brow references, from 1980s punk and Neo-psychedelia to Modernist painting and Erotica.Their D.I.Y collaborative approach --...
In July 2016, English photographer and cookbook author Mary McCartney (born 1969) traveled to Paris for a special photo shoot. Over two days, McCartney would stay with her subject, Phyllis Wang, a New York-born stand-up comedian, at Wang's Saint-Germain apartment, photographing her in the nude. A mixture of black-and-white and color images, the photographs collected in this volume speak to the intimacy and trust between subject and photographer. Laid out sequentially, the photographs show the model increasingly relax in front of the camera over the course of the shoot; Wang assumes various poses and adopts various props, and an unspoken bond gradually develops between the two women. Inviting the reader into the session's humor and intimacy, the publication features Wang and McCartney's annotations alongside the photographs, each giving their own candid account of the two days.
When two old friends died unexpectedly, Rick Schatzberg spent the next two years photographing the remaining group of a dozen men. Now in their 67th year, they have been close since early childhood. Schatzberg collected vintage photos that tell the story of this shared history and uses them to introduce each individual as they are today. These are paired with large-format portraits which connect the boy to the man. Mixing in text with these images, Schatzberg depicts friendship, aging, loss, and memory as the group arrives at the threshold of old age. The Boys juxtaposes elements of place, personal history, and identity. The people and locale described are a specific product of the mid-20th-century suburban American landscape, but the book’s themes are radically universal.
Food has been a much-photographed subject throughout the history of photography, across genres, including art and advertising. This is the first book to survey the rich history of food in photography, and the photographers who developed new ways of describing food in pictures. Through key images, Susan Bright explores the important figures and movements of food photography to provide an essential primer, from the earliest photographers to contemporary artists.
British artist Lucy Jones has been described by art critic Jackie Wullschlager as 'the most exciting English colourist of her generation'' With a clear and often brutally frank vision, her paintings connect a journey through exterior landscapes and interior worlds. Awkward Beauty is the first publication to draw together both her portraits and landscape paintings produced over the past 25 years, tracing the evolution of a distinctively vibrant painterly language, which she has used to describe the world, herself and, most recently, other people. Illustrated with more than 100 colour plates, the book demonstrates Jones's broad emotional range, from densely chromatic and vigorously wrought vistas painted in the British countryside, to her raw and powerfully expressive presentations of the figure, addressing the vulnerabilities and the strengths of Jones's own disabilities, and society's way of viewing difference in others.
A passionate romance leads to supernatural mystery in this historical thriller based on The Legend of Sleepy Hollow. When Sleepy Hollow’s new schoolmaster, Ichabod Crane, arrives in the spooky little village, Katrina Van Tassel is instantly drawn to him. Through their shared love of books and music, they form a friendship that quickly develops into romance. Ichabod knows he has nothing to offer the wealthy Katrina—unlike her childhood friend-turned-enemy, Brom Van Brunt, who is the suitor Katrina’s father favors. But when romance gives way to passion, Ichabod and Katrina sneak into the woods after dark to be together—all while praying they do not catch sight of Sleepy Hollow’s legendary Headless Horseman. That is, until All Hallows’s Eve, when Ichabod suddenly disappears, leaving Katrina alone and in a perilous position. Enlisting the help of her friend—and rumored witch—Charlotte Jansen, Katrina seeks the truth of Ichabod Crane’s disappearance. What they find forces Katrina to question everything she once knew, and to wonder if the Headless Horseman is perhaps more than just a story after all.
Alison Green, desperate Valedictorian-wannabe, agrees to produce her school’s disaster-prone production of A Midsummer Night’s Dream. Her second big mistake is accidentally saying yes to a date with her oldest friend, Jack, even though she’s crushing on Charlotte, the star of the play.
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