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This volume brings together expert s in archaeology and bioarchaeology to examine continuity and change in ancient Arabian mortuary practices. While most previous investigations have been limited geographically to Egypt and the Levant, this volume focuses on the lesser-studied southeastern Arabian Peninsula, showing what death and burial can reveal about the lifestyles of the region’s prehistoric communities. In case studies from Oman, the United Arab Emirates, Qatar, and Bahrain, contributors explore the transition from the earliest to the most complex mortuary monuments in the Bronze Age and beyond. They consider sociopolitical and environmental factors that may have influenced mortuary ...
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In the third millennium B.C.E., the Oman Peninsula was the site of an important kingdom known in Akkadian texts as "Magan," which traded extensively with the Indus Civilization, southern Iran, the Persian Gulf states, and southern Mesopotamia. Excavations have been carried out in this region since the 1970s, although the majority of studies have focused on mortuary monuments at the expense of settlement archaeology. While domestic structures of the Bronze Age have been found and are the focus of current research at Bat, most settlements dating from the third millennium B.C.E. in Oman and the U.A.E. are defined by the presence of large, circular monuments made of mudbrick or stone that are tr...
It was once my good fortune to assist in a discovery of some importance to lovers of literature, and to searchers after the new and wonderful. As nearly a quarter of a century has since elapsed, and as two others shared in the discovery, it may seem to the reader strange that the general public has been kept in ignorance of an event apparently so full of interest. Yet this silence is quite explicable; for of the three participants none has heretofore written for publication; and of my two associates, one is a quiet, retiring man, the other is erratic and forgetful. It is also possible that the discovery did not at the time impress either my companions or myself as having that importance and widespread interest which I have at last come to believe it really possesses. In any view of the case, there are reasons, personal to myself, why it was less my duty than that of either of the others to place on record the facts of the discovery. Had either of them, in all these years, in ever so brief a manner, done so, I should have remained forever silent.
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Viva Garibaldi! sang a young Italian boy in an uptown street, accompanying himself on a violin which, from its battered appearance, seemed to have met with hard usage. As the young singer is to be the hero of my story, I will pause to describe him. He was twelve years old, but small of his age. His complexion was a brilliant olive, with the dark eyes peculiar to his race, and his hair black. In spite of the dirt, his face was strikingly handsome, especially when lighted up by a smile, as was often the case, for in spite of the hardships of his lot, and these were neither few nor light, Filippo was naturally merry and light-hearted.
All aboard! The hoarse voice of Captain MacLaren boomed out like a fog horn, waking a clatter of echoes among the tall cliffs on the opposite shore of the river, and sending the seventy-five girls on the dock all skurrying for the Carribou's gangplank at once. "Hurry up, Hinpoha! We're getting left behind." Agony strained forward on the suitcase she was helping Hinpoha to carry down the hill and endeavored to catch up with the crowd, a proceeding which she soon acknowledged to be impossible, for Hinpoha, rendered breathless by the hasty scramble from the train, lagged farther behind with every step. "I - can't - go - any - faster!" she panted, and abruptly let go of her end of the suitcase t...