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'Transformation' is a notion apposite to essays in honour of Peter Brown. 'The transformation of the classical heritage' is a theme to which he has devoted, and continues to devote, much energy. All the essays here in some way explore this notion of transformation; the late antique ability to turn the past to new uses, and to set its wealth of principle and insight to work in new settings.
Dieser Band versammelt Beiträge von namhaften europäischen und amerikanischenAltertumswissenschaftlern und Religionswissenschaftlern, die einen repräsentativen Querschnitt der zeitgenössischen Erforschung des Mythos, seiner Erscheinungsformen und seiner Transformationen in unterschiedlichen Bereichen und Epochen darbieten.
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
How we think: digital media and contemporary technogenesis -- First interlude: practices and processes in digital media -- The digital humanities: engaging the issues -- How we read: close, hyper, machine -- Second interlude: the complexities of contemporary technogenesis -- Tech-toc: complex temporalities and contemporary technogenesis -- Technogenesis in action: telegraph code books and the place of the human -- Third interlude: narrative and database: digital media as forms -- Narrative and database: spatial history and the limits of symbiosis -- Transcendent data and transmedia narrative: Steven Hall's The raw shark texts -- Mapping time, charting data: the spatial aesthetic of Mark Z. Danielewski's Only revolutions.
This collection of twenty essays examines the art, profession and idea of the actor in Greek and Roman antiquity, and has been commissioned and arranged to cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient professionals. It covers a chronological span from the sixth century BC to Byzantium (and even beyond to the way that ancient actors have influenced the arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on particular themes, such as the evidence for women actors or the impact of acting on the presentation of suicide in literature; others offer completely new evidence, such as graffiti relating to actors in Asia Minor; others ask new questions, such as what subjective experience can be reconstructed for the ancient actor. There are numerous illustrations and all Greek and Latin passages are translated.
A comprehensive guide to the Theodosian Code which provides an invaluable source for the legal, social, religious and cultural history of the late Roman Empire. Written between 429 and 437 AD, the Code was a compilation of 3500 texts, of which more than 2700 survive, which published Roman imperial legislation from the reign of Constantine the great to Theodosius II. Matthews initially examines the political context for the Code and the events surrounding its actual composition before considering the contents of the Code, the Sirmondian Constitutions, the nature of the late Roman constitution and detailed editorial issues.
In Private Associations and Jewish Communities in the Hellenistic and Roman Cities, Benedikt Eckhardt brings together a group of experts to investigate a problem of historical categorization. Traditionally, scholars have either presupposed that Jewish groups were “Greco-Roman Associations” like others or have treated them in isolation from other groups. Attempts to begin a cross-disciplinary dialogue about the presuppositions and ultimate aims of the respective approaches have shown that much preliminary work on categories is necessary. This book explores the methodological dividing lines, based on the common-sense assumption that different questions require different solutions. Re-introducing historical differentiation into a field that has been dominated by abstractions, it provides the debate with a new foundation. Case studies highlight the problems and advantages of different approaches.
Studies about rabbinic Judaism and early Christianity that investigate the literary and archaeological evidence by which the evolution of the synagogue can be traced.
Bradley Arnold examines Paul's argument in his letter to the Philippians. He looks particularly at how this argument is structured similarly to the pattern of thinking in ancient moral philosophy, utilizes athletic imagery within this argumentative framework, and employs a rhetorical practice known as vivid description.
The history of dining is a story that cannot be told without archaeology. Surviving texts describe the opulent banquets of Rome’s wealthy elite but give little attention to the simpler, more intimate social gatherings of domestic invitation dinners. The lower classes, in particular, are largely ignored by literary sources. We can, however, find the voices of the underprivileged by turning to the material detritus of ancient cultures that reflects their social history. Dining at the End of Antiquity brings together the material culture and literary traditions of Romans at the table to reimagine dining culture as an integral part of Roman social order. Through a careful analysis of the tools and equipment of dining, Nicholas Hudson uncovers significant changes to the way different classes came together to share food and wine between the fourth and sixth centuries. Reconstructing the practices of Roman dining culture, Hudson explores the depths of new social distances between the powerful and the dependent at the end of antiquity.