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But I Live
An intimate co-creation of three graphic novelists and four Holocaust survivors, But I Live consists of three illustrated stories based on the experiences of each survivor during and after the Holocaust. David Schaffer and his family survived in Romania due to their refusal to obey Nazi collaborators. In the Netherlands, brothers Nico and Rolf Kamp were separated from their parents and hidden by the Dutch resistance in thirteen different places. Through the story of Emmie Arbel, a child survivor of the Ravensbrück and Bergen-Belsen concentration camps, we see the lifelong trauma inflicted by the Holocaust. To complement these hauntingly beautiful and unforgettable visual stories, But I Live includes historical essays, an illustrated postscript from the artists, and personal words from each of the survivors. As we urgently approach the post-witness era without living survivors of the Holocaust, these illustrated stories act as a physical embodiment of memory and help to create a new archive for future readers. By turning these testimonies into graphic novels, But I Live aims to teach new generations about racism, antisemitism, human rights, and social justice.
After the Holocaust
After the Holocaust brings together scholarship, activism, poetry, and personal narratives from some of the last living survivors of the Holocaust to tackle the changing face of Holocaust and human rights education in the 21st century. The collected voices draw on decades of research on the Holocaust and discuss how it can help us understand and educate about a range of human rights issues throughout history, and, in turn, that local histories of other human rights atrocities can shed light on the way the Holocaust is represented and taught. Advancing the dialogue between civic advocacy, public remembrance, and research, the contributors of this edited collection discuss Holocaust education'...
Under Swiss Protection
This volume retraces Carl Lutz’s diplomatic wartime rescue efforts in Budapest, Hungary, through the lens of Jewish eyewitness testimonies. Together with his wife, Gertrud Lutz-Fankhauser, the director of the Palestine Office in Budapest, Moshe Krausz, fellow Swiss citizens Harald Feller, Ernst Vonrufs, Peter Zürcher, and the underground Zionist Youth Movement, Carl Lutz led an extensive rescue operation between March 1944 and February 1945. It is estimated that Lutz and his team of rescuers issued more than 50,000 lifesaving letters of protection (Schutzbriefe) and placed persecuted Jews in 76 safe houses—annexes of the Swiss Legation. Based on interviews with Holocaust survivors in Canada, Hungary, Israel, Switzerland, the UK, and the United States, this volume shines a light on the extraordinary scope and scale of Carl Lutz’s humanitarian response.
Jewish Comics and Graphic Narratives
"The most-up-date critical guide mapping the history, impact, key critical issues and seminal texts of the genre, Jewish Comics and Graphic Novels interrogates what makes a work a 'Jewish graphic novel', and explores the form's diverse facets to orient readers to the richness and complexity of Jewish graphic narratives. Accessible but comprehensive and in an easy-to-navigate format, the book covers such topics as: - The history of the genre, Jewish graphic novels in relations to superheroes, Underground Comix and Jewish narratives in the mainstream in the US and Israel - Social and cultural discussions surrounding the legitimization of graphic representation as sites of trauma, understanding...
Enseñar con el cómic: investigación y aplicaciones
En la actualidad, el cómic ha demostrado ser un recurso educativo sumamente eficaz, al combinar elementos visuales y textuales de manera única. A nadie le debería sorprender ya el hecho de que la narrativa secuencial en viñeras facilita la comprensión de conceptos complejos. El tebeo como herramienta pedagógica no solo fomenta la alfabetización y el desarrollo de la competencia lecto-literaria, sino que también promueve el pensamiento crítico, al requerir que los lectores conecten elementos visuales y texto para extraer significado en un contexto sociocultural determinado, que puede implicar ciertas problemáticas y discusiones. Asimismo, los cómics suponen un medio versátil para ...
Hạt Giống Tâm Hồn: Bản Giao Hưởng Cuộc Sống - Ấn Phẩm Đặc Biệt
Tác phẩm gồm 127 câu chuyện chứa đựng ý nghĩa sâu sắc, được tuyển chọn kỹ lưỡng từ hơn 200 tựa sách Hạt Giống Tâm Hồn đã xuất bản. Với lối viết giản dị, gần gũi nhưng không kém phần sâu sắc, “Ấn bản đặc biệt Hạt Giống Tâm Hồn - Bản giao hưởng cuộc sống” kể về những chặng đường mà chúng ta dễ dàng bắt gặp và trải qua trong đời. Đó có thể là lòng tốt, sự tử tế giữa người với người; là tình yêu thương vô điều kiện của gia đình, bạn bè và những người thân yêu; là những thử thách, khó khăn trên từng dặm đường đời và cách chúng ta vượt lên số phận; là nỗ lực vươn cao chạm đến những ước mơ, hoài bão; là những lần đối mặt với đau thương, mất mát vốn không thể tránh khỏi trong cuộc sống. Và cuối cùng, sau tất cả những trải nghiệm trên, chúng ta sẽ có cho mình những kỷ niệm, ký ức đẹp đẽ, đáng nhớ, cùng những bài học vô giá trên đường đời.
But I Live
In this powerful book, three graphic novelists tell the stories of Holocaust survivors, bringing their testimonies to life and seamlessly connecting the past with the present.
Wendejahr 1995
1995, fünfzig Jahre nach Kriegsende und fünf Jahre nach der Wiedervereinigung Deutschlands, erschienen auffällig viele literarische Werke, die später kanonisiert wurden, wie zum Beispiel: Christian Krachts „Faserland“, Feridun Zaimoğlus „Kanak Sprak“, Thomas Brussigs „Helden wie wir“, Reinhard Jirgls „Abschied von den Feinden“, Bernhard Schlinks „Der Vorleser“, Elfriede Jelineks „Die Kinder der Toten“ oder Günter Grass’ Roman „Ein weites Feld“, der eine heftige, den deutsch-deutschen Literaturstreit fortsetzende Debatte auslöste. Aber auch in anderen Gattungen und auf anderen Gebieten gab es wichtige Ereignisse und Veränderungen: Ende 1995 starb Heiner M...
But I Live
In this powerful book, three graphic novelists tell the stories of Holocaust survivors, bringing their testimonies to life and seamlessly connecting the past with the present.
