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ECG 1 et 2 - Economie, Sociologie, Histoire du monde contemporain en fiches et dissertations
TOUS LES OUTILS POUR RÉUSSIR LE JOUR DU CONCOURS La méthodologie pour être performant Tout le programme des deux années 35 fiches de cours synthétiques 35 dissertations entièrement rédigées Conçu par les enseignants MyPrepa pour répondre aux besoins des élèves de classes préparatoires : avoir la meilleure note au concours
ECG 1 ET ECG 2 - Economie, Sociologie, Histoire du monde contemporain 2024-2025
Couvrant le programme des deux années, ce manuel de référence pour l'option Economie, Sociologie, Histoire du monde contemporain propose : 34 chapitres de cours complets avec leurs résumés synthétiques Près de 100 dissertations rédigées et 230 QCM Les annales 2022 et 2023 corrigées Un lexique détaillé des notions importantes. Cette édition millésimée propose les corrigés des concours 2023.
Les secrets pour intégrer HEC - 4e éd.
Les secrets pour intégrer HEC ou la grande école de commerce de vos rêves ? Les bonnes méthodes pour travailler chaque matière Les stratégies efficaces pour réussir chaque épreuve des concours Les analyses des copies des meilleurs étudiants Les astuces pour développer un mental de champion De nombreux cas pratiques, des commentaires des rapports de jury et des témoignages d’experts et d’étudiants illustrent les facteurs clés de succès.
The Future of Museums
This book explores―at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies―the current and future role of museums for art and society. Given the dynamic developments in art and society, museums need to change in order to remain (and in some ways, regain) relevance. This relevance is in the sense of a power to influence. Additionally museums have challenges that arise in the production of art through the use of permanent and rapidly changing technologies. This book examines how museums deal with the increasing importance of performance art and social interactive art, artistic disciplines which refuse to use classical or digital artistic media in the...
Études Sur Les Antiquités Juridiques D'Athènes: Le Crédit Foncier À Athènes
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Iconoclastic Memories of the Civil War
In "Iconoclastic Memories of the Civil War: Bits of Autobiography," Bierce recounts some of his experiences as a soldier. At the outset of the American Civil War, Bierce enlisted in the Union Army's 9th Indiana Infantry Regiment. In February 1862 he was commissioned First Lieutenant, and served on the staff of General William Babcock Hazen as a topographical engineer, making maps of likely battlefields. Bierce fought at the Battle of Shiloh (April 1862), a terrifying experience that became a source for several later short-stories as well as the memoir, "What I Saw of Shiloh". In June 1864, he sustained a serious head wound at the Battle of Kennesaw Mountain, and spent the rest of the summer ...
David Kimball Anderson: Works 1969-2017
Spanning nearly four decades of work by Santa Cruz-based sculptor David Kimball Anderson (born 1946), this monograph presents a chronology of Anderson's works, which balance the industrial and the delicate through such materials as steel, fiberglass and wood.
Mute Objects of Expression
Ponge sings of the birds and the bees. A monumental work.
G. Braque by Francis Ponge and Others
by Francis Ponge, Pierre Descargues and André Malraux ; text translated by Richard Howard ; biography and captions translated by Lange Dunlop
